Dave Brubeck's Time Out
Seiten
2019
Oxford University Press Inc (Verlag)
978-0-19-021772-3 (ISBN)
Oxford University Press Inc (Verlag)
978-0-19-021772-3 (ISBN)
Author Stephen A. Crist draws on years of archival research and interviews with family, friends, and the man himself to offer the most thorough examination to date of Dave Brubeck's seminal jazz album.
Dave Brubeck's Time Out ranks among the most popular, successful, and influential jazz albums of all time. Released by Columbia in 1959 alongside such other landmark albums as Miles Davis's Kind of Blue and Charles Mingus's Mingus Ah Um, Time Out became the one of the first jazz albums to be certified platinum, while its featured track, "Take Five," became the best-selling jazz single of the twentieth century, surpassing one million copies. In addition to its commercial successes, the album is widely recognized as a pioneering endeavor into the use of odd meters in jazz. With its opening track, "Blue Rondo a la Turk" written in 9/8, its hit single "Take Five" in 5/4, and equally innovative uses of the more common 3/4 and 4/4 meters on other tracks, Time Out has played an important role in the development of modern jazz.
In this book, author Stephen A. Crist draws on nearly fifteen years of archival research to offer the most thorough examination to date of this seminal jazz album. Supplementing his research with interviews with key individuals, including Brubeck's widow Iola and daughter Catherine, as well as interviews conducted with Brubeck himself prior to his passing in 2012, Crist paints a complete picture of the album's origins, creation, and legacy. Couching careful analysis of each of the album's seven tracks within historical and cultural contexts, he offers fascinating insights into the composition and development of some of the albums best known tunes. From Brubeck's 1958 State Department-sponsored tour, during which he first encountered the Turkish aksak rhythms that would form the basis of "Blue Rondo a la Turk," to the backstage jam session that planted the seeds for "Take Five," Crist sheds an exciting new light on one of the most significant albums in jazz history.
Dave Brubeck's Time Out ranks among the most popular, successful, and influential jazz albums of all time. Released by Columbia in 1959 alongside such other landmark albums as Miles Davis's Kind of Blue and Charles Mingus's Mingus Ah Um, Time Out became the one of the first jazz albums to be certified platinum, while its featured track, "Take Five," became the best-selling jazz single of the twentieth century, surpassing one million copies. In addition to its commercial successes, the album is widely recognized as a pioneering endeavor into the use of odd meters in jazz. With its opening track, "Blue Rondo a la Turk" written in 9/8, its hit single "Take Five" in 5/4, and equally innovative uses of the more common 3/4 and 4/4 meters on other tracks, Time Out has played an important role in the development of modern jazz.
In this book, author Stephen A. Crist draws on nearly fifteen years of archival research to offer the most thorough examination to date of this seminal jazz album. Supplementing his research with interviews with key individuals, including Brubeck's widow Iola and daughter Catherine, as well as interviews conducted with Brubeck himself prior to his passing in 2012, Crist paints a complete picture of the album's origins, creation, and legacy. Couching careful analysis of each of the album's seven tracks within historical and cultural contexts, he offers fascinating insights into the composition and development of some of the albums best known tunes. From Brubeck's 1958 State Department-sponsored tour, during which he first encountered the Turkish aksak rhythms that would form the basis of "Blue Rondo a la Turk," to the backstage jam session that planted the seeds for "Take Five," Crist sheds an exciting new light on one of the most significant albums in jazz history.
Stephen A. Crist is Professor of Music History at Emory University. He works largely in European music of the sixteenth through the eighteenth centuries, with additional interests in hymnody and jazz. He served as contributing editor of Bach Perspectives, Volume 5: Bach in America and contributing co-editor of Historical Musicology: Sources, Methods, Interpretations. His publications on Dave Brubeck have appeared in the Journal of Musicology and elsewhere, and a new study of the Modern Jazz Quartet's reception of the music of J. S. Bach is forthcoming in Bach Perspectives, Volume 13.
| Erscheinungsdatum | 22.09.2019 |
|---|---|
| Reihe/Serie | Oxford Studies in Recorded Jazz |
| Zusatzinfo | 73 illus.; 13 photos. |
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 208 x 142 mm |
| Gewicht | 318 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Jazz / Blues |
| ISBN-10 | 0-19-021772-3 / 0190217723 |
| ISBN-13 | 978-0-19-021772-3 / 9780190217723 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
zur politischen Ästhetik des Jazz
Buch | Hardcover (2023)
Phillip Reclam (Verlag)
CHF 49,90
Die Geschichte des Jazz in Deutschland
Buch | Softcover (2021)
Reclam, Philipp (Verlag)
CHF 31,90
