Dwelling in Musical Movement
VWB-Verlag
978-3-86135-920-3 (ISBN)
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+++ Articles
* Barbara Titus: Introduction: Making a Home in and through Music
* Rachel Beckles Willson: Orientation through Instruments: The oud, the Palestinian Home, and Kamīlyā Jubrān
* Birgit Abels: A Poetics of Dwelling with Music and Dance: Le hip hop as Homing Practice
* Anna Lisa Ramella: States of Play/ing: Sonic Dwellings on a Music Tour
* Thibault Fontanari: Making Pathways while Walking and Singing in Shimshal Valley, Pakistan
+++ Book Reviews (Eva-Maria van Straaten, ed.)
* Scott V. Linford: Robert B. Winans (ed.), Banjo Roots and Branches. (2018)
* Dongshin Chang: Nancy Yunhwa Rao, Chinatown Opera Theater in North America. (2017)
* Eric Petzoldt: Robert Lachmann and Ruth Davis (eds.), The "Oriental Music" Broadcasts 1936–1937—A Musical Ethnography of Mandatory Palestine. (2013)
* Charissa Granger: Andrew Martin, Ray Funk, and Jeannine Remy, Steelpan in Education: A History of the Northern Illinois University Steelband. (2017)
* Brian Diettrich: Frederick Lau and Christine R. Yano (eds.), Making Waves: Traveling Musics in Hawai′i, Asia, and the Pacific. (2018)
* Marissa Moore: Jonathan Dueck, Congregational Music, Conflict and Community. (2017)
* Megan Jane Sinnott: Andrew N. Weintraub and Bart Barendregt (eds.), Vamping the Stage: Female Voices of Asian Modernities. (2017)
* Anna-Elena Pääkkölä: Lori Burns and Steven Lacasse (eds.), The Pop Palimpsest: Intertextuality in Recorded Popular Music. (2018)
* Werner Graebner: Frank Gunderson, The Legacy of Tanzanian Musicians Muhidin Gurumo and Hassan Bitchuka. Rhumba Kiserebuka! (2018)(2017)
* Mischa van Kan: Gerhard Kubik, Jazz Transatlantic, Volume I: The African Undercurrent in Twentieth-Century Jazz Culture; Jazz Transatlantic, Volume II: Jazz Derivatives and Developments in Twentieth-Century Africa. (2017)
+++ Recording Reviews (Rehanna Kheshgi, ed.)
* Kathryn Alexander: The Groove Is Not Trivial. Verite Productions. Directed by Tommie Dell Smith. (2016)
* Kiku Day: Teruhisa Fukuda. Japan: Musical Offering of a Shakuhachi Master. Produced by the Musée d’ethnographie de Genève. (2018)
* Polina Dessiatnitchenko: Gochag Askarov and Pierre De Trégomain. Mugham Souls. Felmay Records. (2017)
* Joe Kinzer: Laos: Musique des Khmou. Recorded by Véronique de Lavenère. Produced by the Musée d′ethnographie de Genève. (2017)
+++ About the Contributors
+++ the world of music (new series)
Contents:
+++ Articles
* Barbara Titus: Introduction: Making a Home in and through Music
* Rachel Beckles Willson: Orientation through Instruments: The oud, the Palestinian Home, and Kamīlyā Jubrān
* Birgit Abels: A Poetics of Dwelling with Music and Dance: Le hip hop as Homing Practice
* Anna Lisa Ramella: States of Play/ing: Sonic Dwellings on a Music Tour
* Thibault Fontanari: Making Pathways while Walking and Singing in Shimshal Valley, Pakistan
+++ Book Reviews (Eva-Maria van Straaten, ed.)
* Scott V. Linford: Robert B. Winans (ed.), Banjo Roots and Branches. (2018)
* Dongshin Chang: Nancy Yunhwa Rao, Chinatown Opera Theater in North America. (2017)
* Eric Petzoldt: Robert Lachmann and Ruth Davis (eds.), The "Oriental Music" Broadcasts 1936–1937—A Musical Ethnography of Mandatory Palestine. (2013)
* Charissa Granger: Andrew Martin, Ray Funk, and Jeannine Remy, Steelpan in Education: A History of the Northern Illinois University Steelband. (2017)
* Brian Diettrich: Frederick Lau and Christine R. Yano (eds.), Making Waves: Traveling Musics in Hawai′i, Asia, and the Pacific. (2018)
* Marissa Moore: Jonathan Dueck, Congregational Music, Conflict and Community. (2017)
* Megan Jane Sinnott: Andrew N. Weintraub and Bart Barendregt (eds.), Vamping the Stage: Female Voices of Asian Modernities. (2017)
* Anna-Elena Pääkkölä: Lori Burns and Steven Lacasse (eds.), The Pop Palimpsest: Intertextuality in Recorded Popular Music. (2018)
* Werner Graebner: Frank Gunderson, The Legacy of Tanzanian Musicians Muhidin Gurumo and Hassan Bitchuka. Rhumba Kiserebuka! (2018)(2017)
* Mischa van Kan: Gerhard Kubik, Jazz Transatlantic, Volume I: The African Undercurrent in Twentieth-Century Jazz Culture; Jazz Transatlantic, Volume II: Jazz Derivatives and Developments in Twentieth-Century Africa. (2017)
+++ Recording Reviews (Rehanna Kheshgi, ed.)
* Kathryn Alexander: The Groove Is Not Trivial. Verite Productions. Directed by Tommie Dell Smith. (2016)
* Kiku Day: Teruhisa Fukuda. Japan: Musical Offering of a Shakuhachi Master. Produced by the Musée d’ethnographie de Genève. (2018)
* Polina Dessiatnitchenko: Gochag Askarov and Pierre De Trégomain. Mugham Souls. Felmay Records. (2017)
* Joe Kinzer: Laos: Musique des Khmou. Recorded by Véronique de Lavenère. Produced by the Musée d′ethnographie de Genève. (2017)
+++ About the Contributors
+++ the world of music (new series)
| Erscheinungsdatum | 19.06.2019 |
|---|---|
| Reihe/Serie | the world of music (new series) ; 8(2019)1 |
| Mitarbeit |
Stellvertretende Herausgeber: Barbara Titus Gast Herausgeber: Barbara Titus |
| Zusatzinfo | photographs, figs, musical notations |
| Verlagsort | Berlin |
| Sprache | englisch |
| Maße | 152 x 228 mm |
| Gewicht | 300 g |
| Einbandart | Paperback |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musikgeschichte |
| Kunst / Musik / Theater ► Musik ► Pop / Rock | |
| Schlagworte | Ethnomusikologie • interkultureller Musikaustausch • music cultures • Music Making • Musikethnologie |
| ISBN-10 | 3-86135-920-0 / 3861359200 |
| ISBN-13 | 978-3-86135-920-3 / 9783861359203 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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