Theatre History Studies 2018, Volume 37
The University of Alabama Press (Verlag)
978-0-8173-7112-8 (ISBN)
Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference.
Sara Freeman is an associate professor of theatre at the University of Puget Sound. Freeman is a coeditor of International Dramaturgy: Translation and Transformations in the Theatre of Timberlake Wertenbaker and recently staged Anne Washburn’s experimental show Mr. Burns, a Post Electric Play.
Meyerhold and The Revolution: A Reading through Henri Lefebvre’s Theories on “Everyday Life” — Stefan Aquilina
“Shuffled Together under the Name of a Farce”: Finding Nature in Aphra Behn’s The Emperor of the Moon — Vivian Appler
Kate Soffel’s Life of Crime: A Gendered Journey from Warden’s Wife to Criminal Actress — Kristi Good
Staging Ajax’s Suicide: A Historiography — Peter A. Campbell
Rousing Experiences: Theatre, Politics, and Change — Brian E. G. Cook
Until You See the Whites of Their Eyes: Brett Bailey’s Exhibit B and the Consequences of Staging the Colonial Gaze — Megan Lewis
Taking the Theatre to the People: Performance Sponsorship and Regulation in Mussolini’s Italy — Patricia Gaborik
To Image and to Imagine: Walid Raad, Rabih Mouré, and the Arab Spring — Ilinca Todorut And Anthony Sorge
Where Has the Political Theatre in Israel Gone? Rethinking the Concept of Political Theatre Today — Shulamith Lev-Aladgem
“Equal Rights By All Means!”: Beatrice Forbes-Robertson’s 1910 Suffrage Matinee and the Onstage Junction of the US And UK Franchise Movements — Christine Woodworth
“Why I Wrote the Phyllis Wheatley Pageant-Play”: Mary Church Terrell’s Bicentennial Activism — Lurana Donnels O’Malley
The Lasting Theatre of Dario Fo and Franca Rame — Juliet Guzzetta
Chavez Ravine: Culture Clash and the Political Project of Rewriting History — Ashley E. Lucas
The Heavy Lifting: Resisting the Obama Presidency’s Neoliberalist Conceptions of the American Dream in Kristoffer Diaz’s The Elaborate Entrance of Chad Deity — Noe Montez
| Erscheinungsdatum | 06.04.2019 |
|---|---|
| Reihe/Serie | Theatre History Studies ; 37 |
| Zusatzinfo | 22 Black & white figures, 5 maps, 4 tables |
| Verlagsort | Alabama |
| Sprache | englisch |
| Gewicht | 603 g |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| ISBN-10 | 0-8173-7112-5 / 0817371125 |
| ISBN-13 | 978-0-8173-7112-8 / 9780817371128 |
| Zustand | Neuware |
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