The Voice as Something More
Essays Toward Materiality
Seiten
2019
University of Chicago Press (Verlag)
978-0-226-65639-7 (ISBN)
University of Chicago Press (Verlag)
978-0-226-65639-7 (ISBN)
Papers of the international conference "A Voice as Something More," held at the University of Chicago in November 2015.
In the contemporary world, voices are caught up in fundamentally different realms of discourse, practice, and culture: between sounding and nonsounding, material and nonmaterial, literal and metaphorical. In The Voice as Something More, Martha Feldman and Judith Zeitlin tackle these paradoxes with a bold and rigorous collection of essays that look at voice as both object of desire and material object.
Using Mladen Dolar's influential A Voice and Nothing More as a reference point, The Voice as Something More reorients Dolar's psychoanalytic analysis around the material dimensions of voices--their physicality and timbre, the fleshiness of their mechanisms, the veils that hide them, and the devices that enhance and distort them. Throughout, the essays put the body back in voice. Ending with a new essay by Dolar that offers reflections on these vocal aesthetics and paradoxes, this authoritative, multidisciplinary collection, ranging from Europe and the Americas to East Asia, from classics and music to film and literature, will serve as an essential entry point for scholars and students who are thinking toward materiality.
In the contemporary world, voices are caught up in fundamentally different realms of discourse, practice, and culture: between sounding and nonsounding, material and nonmaterial, literal and metaphorical. In The Voice as Something More, Martha Feldman and Judith Zeitlin tackle these paradoxes with a bold and rigorous collection of essays that look at voice as both object of desire and material object.
Using Mladen Dolar's influential A Voice and Nothing More as a reference point, The Voice as Something More reorients Dolar's psychoanalytic analysis around the material dimensions of voices--their physicality and timbre, the fleshiness of their mechanisms, the veils that hide them, and the devices that enhance and distort them. Throughout, the essays put the body back in voice. Ending with a new essay by Dolar that offers reflections on these vocal aesthetics and paradoxes, this authoritative, multidisciplinary collection, ranging from Europe and the Americas to East Asia, from classics and music to film and literature, will serve as an essential entry point for scholars and students who are thinking toward materiality.
Martha Feldman is the Mabel Greene Myers Professor of Music and Romance Languages and Literatures and Judith T. Zeitlin is the William R. Kenan, Jr. Professor of East Asian Languages and Civilizations, both at the University of Chicago. They are also members of the Faculty Committee in Theater and Performance Studies.
| Erscheinungsdatum | 30.09.2019 |
|---|---|
| Reihe/Serie | New Material Histories of Music |
| Nachwort | Mladen Dolar |
| Zusatzinfo | Illustrations, unspecified |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musikgeschichte |
| Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
| ISBN-10 | 0-226-65639-X / 022665639X |
| ISBN-13 | 978-0-226-65639-7 / 9780226656397 |
| Zustand | Neuware |
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