The Operatic Archive
American Opera as History
Seiten
2020
Routledge (Verlag)
978-0-367-13432-7 (ISBN)
Routledge (Verlag)
978-0-367-13432-7 (ISBN)
The Operatic Archive: American Opera as History extends the growing interdisciplinary dialogue in opera studies by drawing on ideas from performance studies and the philosophy of history
The Operatic Archive: American Opera as History extends the growing interdisciplinary conversation in opera studies by drawing on new research in performance studies and the philosophy of history. Moving beyond traditional aesthetic conceptions of opera, this book argues for opera’s powerful potential for historical impact and engagement in late twentieth- and twenty-first-century works by American composers.
Considering opera’s ability to serve as a vehicle for memory, historical experience, affect, presence, and the historical sublime, this volume demonstrates how opera’s ability to represent and evoke historical events and historical experience differs fundamentally from the representations and recreations of other modes (specifically, literary and dramatic representations).
Building on the work of performance scholars such as Joseph Roach, Rebecca Schneider, and Diana Taylor, and in consultation with recent debates in the philosophy of history, the book will be of interest to a wide range of scholars and researchers, particularly those working in the areas of opera studies and performance studies.
The Operatic Archive: American Opera as History extends the growing interdisciplinary conversation in opera studies by drawing on new research in performance studies and the philosophy of history. Moving beyond traditional aesthetic conceptions of opera, this book argues for opera’s powerful potential for historical impact and engagement in late twentieth- and twenty-first-century works by American composers.
Considering opera’s ability to serve as a vehicle for memory, historical experience, affect, presence, and the historical sublime, this volume demonstrates how opera’s ability to represent and evoke historical events and historical experience differs fundamentally from the representations and recreations of other modes (specifically, literary and dramatic representations).
Building on the work of performance scholars such as Joseph Roach, Rebecca Schneider, and Diana Taylor, and in consultation with recent debates in the philosophy of history, the book will be of interest to a wide range of scholars and researchers, particularly those working in the areas of opera studies and performance studies.
Colleen Renihan is Assistant Professor and Queen’s National Scholar in Music Theatre and Opera at Queen’s University in Kingston, ON, Canada.
Introduction: History, the Extravagant Art
Chapter 1: Opera and/as history
Chapter 2: Opera as (mi)lieu de mémoire
Chapter 3: Opera as historical experience
Chapter 4: Ghost notes: Opera, history, and time
Chapter 5: Opera at the limits of history
| Erscheinungsdatum | 27.04.2020 |
|---|---|
| Reihe/Serie | Ashgate Interdisciplinary Studies in Opera |
| Zusatzinfo | 11 Line drawings, black and white; 4 Halftones, black and white; 15 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 467 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| Kunst / Musik / Theater ► Theater / Ballett | |
| ISBN-10 | 0-367-13432-2 / 0367134322 |
| ISBN-13 | 978-0-367-13432-7 / 9780367134327 |
| Zustand | Neuware |
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