The End-Of-The-Century Party
Youth, Pop and the Rise of Madchester
Seiten
2019
Manchester University Press (Verlag)
978-1-5261-4275-7 (ISBN)
Manchester University Press (Verlag)
978-1-5261-4275-7 (ISBN)
This is the definitive account of the shift in popular music and youth culture that took place in the 1980s. It draws on interviews with DJs, record company bosses, musicians, producers and fans to outline a transition in pop thinking from the obsession with style and packaging to content, socially conscious lyrics and a new authenticity. -- .
Madchester may have been born at the Haçienda in the summer of 1988, but the city had been in creative ferment for almost a decade prior to the rise of acid house. The end-of-the-century party is the definitive account of a generational shift in popular music and youth culture, what it meant and what it led to. First published right after the Second Summer of Love, it tells the story of the transition from new pop to the political pop of the mid-1980s and its deviant offspring, post-political pop. Resisting contemporary proclamations about the end of youth culture and the rise of a new, right-leaning conformism, the book draws on interviews with DJs, record company bosses, musicians, producers and fans to outline a clear transition in pop thinking, a move from an obsession with style, packaging and synthetic sounds to content, socially conscious lyrics and a new authenticity.
This edition is framed by a prologue by Tara Brabazon, asking how we can reclaim the spirit, energy and authenticity of Madchester for a post-youth, post-pop generation. It is illustrated with iconic photographs by Kevin Cummins. -- .
Madchester may have been born at the Haçienda in the summer of 1988, but the city had been in creative ferment for almost a decade prior to the rise of acid house. The end-of-the-century party is the definitive account of a generational shift in popular music and youth culture, what it meant and what it led to. First published right after the Second Summer of Love, it tells the story of the transition from new pop to the political pop of the mid-1980s and its deviant offspring, post-political pop. Resisting contemporary proclamations about the end of youth culture and the rise of a new, right-leaning conformism, the book draws on interviews with DJs, record company bosses, musicians, producers and fans to outline a clear transition in pop thinking, a move from an obsession with style, packaging and synthetic sounds to content, socially conscious lyrics and a new authenticity.
This edition is framed by a prologue by Tara Brabazon, asking how we can reclaim the spirit, energy and authenticity of Madchester for a post-youth, post-pop generation. It is illustrated with iconic photographs by Kevin Cummins. -- .
Steve Redhead was Professor of Cultural Studies at Flinders University, Australia. He was a founding director of the Manchester Institute of Popular Culture. His numerous publications include Repetitive Beat Generation (2000), We Have Never Been Postmodern (2011) and Trump Studies (2018). -- .
Memories of the future – prologue by Tara Brabazon
From my generation to regeneration: a ‘post’-script
1 Counter-cultures: the cultural politics of pop
2 It all comes round again? post-subcultural pop
3 Soundtracks from the global hypermarket: post-pop politics
4 One nation under a hoof: whatever happened to the new bohemia?
5 Don’t go back to rockville: post-political pop
The absolute non-end -- .
| Erscheinungsdatum | 17.08.2019 |
|---|---|
| Zusatzinfo | 5 black & white illustrations |
| Verlagsort | Manchester |
| Sprache | englisch |
| Maße | 129 x 198 mm |
| Gewicht | 249 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Pop / Rock |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| Sozialwissenschaften | |
| ISBN-10 | 1-5261-4275-9 / 1526142759 |
| ISBN-13 | 978-1-5261-4275-7 / 9781526142757 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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