Collecting Prints, Posters, and Ephemera
Bloomsbury Visual Arts (Verlag)
978-1-5013-3849-6 (ISBN)
These are among the questions tackled in this volume—the first to examine the practices of collecting prints, posters, and ephemera during the modern and contemporary periods. A wide range of case studies feature collections of printed materials from the United States, Latin America, France, Germany, Great Britain, China, Japan, Russia, Iran, and Cuba. Fourteen essays and one roundtable discussion, all specially commissioned from art historians, curators, and collectors for this volume, explore key issues such as the roles of class, politics, and gender, and address historical contexts, social roles, value, and national and transnational aspects of collecting practices. The global scope highlights cross-cultural connections and contributes to a new understanding of the place of prints, posters and ephemera within an increasingly international art world.
Ruth E. Iskin is Professor, Department of the Arts, Ben-Gurion University of the Negev, Israel. Britany Salsbury is Associate Curator of Prints and Drawings, Milwaukee Art Museum, USA.
List of Figures
Series Editor’s Introduction
Introduction Ruth E. Iskin and Britany Salsbury
Part I Collecting Prints
Introduction, Part I: Collecting Modern and Contemporary Prints
Britany Salsbury
1. Henrietta Louisa Koenen’s (1830–81) Amsterdam Collection of Women Printmakers
Madeleine C. Viljoen
2. Loys Delteil (1869–1927): Community and Contemporary Print Collecting in Fin-de-Siècle Paris
Britany Salsbury
3. Women Collectors of Japanese Prints: The 1909–14 Paris Expositions des estampes japonaises at the Musée des Arts Décoratifs
Elizabeth Emery
4. Collecting Ukiyo-e Prints in Japan during the Nineteenth and Twentieth Centuries
Shigeru Oikawa
5. Building Hemispheric Unity to Serve Corporate Identity: IBM’s Collection of Prints from the Americas
Rachel Kaplan
Part II Collecting Posters and Ephemera
Introduction, Part II: Collecting Posters and Other Ephemera: From Modernity to the Digital Era
Ruth E. Iskin
6. From Commune to Commerce: Ernest Maindron’s Collecting Ephemera and Posters, Late 1850s–Early 1900s
Ruth E. Iskin
7. The Maurice Rickards Collection of Ephemera
Michael Twyman
8. Hans Sachs: The Most Dedicated Collector of Posters in Germany
Kathleen Chapman
9. To Possess is to Belong: Carlos Monsiváis’s Collection of Ephemera and Popular Culture in Mexico City
Liliana Chávez Díaz
10. The David King Collection of Russian and Soviet Ephemera at Tate: Expanding the Museum Narrative with Ephemera
Sofia Gurevich
11. Collecting Chinese Propaganda Posters
Stefan Landsberger
12. The Cuba Poster Project: Collecting for People, not Profit
Lincoln Cushing
13. Collecting Pre- and Post-Revolution Iranian Movie Posters in the United States and in Iran
Hamid Naficy
14. The Challenge of Collecting Digital Posters and Graphics from the Web: A Roundtable Discussion
Anisa Hawes
Author Biographies
Index
| Erscheinungsdatum | 13.12.2019 |
|---|---|
| Reihe/Serie | Contextualizing Art Markets |
| Zusatzinfo | 55 bw and 8 colour illus |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 802 g |
| Themenwelt | Kunst / Musik / Theater ► Design / Innenarchitektur / Mode |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| ISBN-10 | 1-5013-3849-8 / 1501338498 |
| ISBN-13 | 978-1-5013-3849-6 / 9781501338496 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
aus dem Bereich
