Making Music American
1917 and the Transformation of Culture
Seiten
2019
Oxford University Press Inc (Verlag)
978-0-19-087231-1 (ISBN)
Oxford University Press Inc (Verlag)
978-0-19-087231-1 (ISBN)
The year 1917 was unlike any other in American history, or in the history of American music. The United States entered World War I, jazz burst onto the national scene, and the German musicians who dominated classical music were forced from the stage. As the year progressed, New Orleans natives Nick LaRocca and Freddie Keppard popularized the new genre of jazz, a style that suited the frantic mood of the era. African-American bandleader James Reese Europe accepted the challenge of making the band of the Fifteenth New York Infantry into the best military band in the country. Orchestral conductors Walter Damrosch and Karl Muck met the public demand for classical music while also responding to new calls for patriotic music. Violinist Fritz Kreisler, pianist Olga Samaroff, and contralto Ernestine Schumann-Heink gave American audiences the best of Old-World musical traditions while walking a tightrope of suspicion because of their German sympathies. Before the end of the year, the careers of these eight musicians would be upended, and music in America would never be the same.
Making Music American recounts the musical events of this tumultuous year month by month from New Year's Eve 1916 to New Year's Day 1918. As the story unfolds, the lives of these eight musicians intersect in surprising ways, illuminating the transformation of American attitudes toward music both European and American. In this unsettled time, no one was safe from suspicion, but America's passion for music made the rewards high for those who could balance musical skill with diplomatic savvy.
Making Music American recounts the musical events of this tumultuous year month by month from New Year's Eve 1916 to New Year's Day 1918. As the story unfolds, the lives of these eight musicians intersect in surprising ways, illuminating the transformation of American attitudes toward music both European and American. In this unsettled time, no one was safe from suspicion, but America's passion for music made the rewards high for those who could balance musical skill with diplomatic savvy.
E. Douglas Bomberger teaches courses in popular and classical music at Elizabethtown College. He is the author of MacDowell (Oxford, 2013) and four other books.
List of illustrations
Acknowledgments
Foreword
Chronology
Chapter 1. Prologue-New Year's Eve 1916
Chapter 2. The Old Order-January 1917
Chapter 3. Anxiety-February 1917
Chapter 4. Noise-March 1917
Chapter 5. Explosions-April 1917
Chapter 6. Middle America-May 1917
Chapter 7. Winding Up-June 1917
Chapter 8. Summer-July-August 1917
Chapter 9. Anticipation-September 1917
Chapter 10. Preparation-October 1917
Chapter 11. Implosions-November 1917
Chapter 12. Fallout-December 1917
Chapter 13. Epilogue-New Year's Day 1918
Afterword
Bibliography
Index
| Erscheinungsdatum | 14.12.2018 |
|---|---|
| Zusatzinfo | 30 halftone |
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 241 x 163 mm |
| Gewicht | 544 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Jazz / Blues |
| Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical | |
| Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
| ISBN-10 | 0-19-087231-4 / 0190872314 |
| ISBN-13 | 978-0-19-087231-1 / 9780190872311 |
| Zustand | Neuware |
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