Music for Analysis
Oxford University Press Inc (Verlag)
978-0-19-062075-2 (ISBN)
separate workbook or to purchase score paper.
Thomas Benjamin taught at the Peabody Conservatory of Johns Hopkins University, where he was Chair of the Department of Music for several years. Michael Horvit, Timothy Koozin, and Robert Nelson all teach at Moores School of Music at the University of Houston.
PREFACE
SUGGESTIONS FOR USING THIS BOOK
PART I DIATONIC MATERIALS
Suggestions for Discussion
1. TONIC TRIAD
Questions for Analysis
1. HAYDN, Sonatina in G major, Hob. XVI: 8
2. CZERNY, Sonatina, op. 792, no. 8
3. RIMSKY-KORSAKOV, Le Coq d'Or: Hymn to the Sun
4. BEETHOVEN, Leonora Overture No. 2, op. 72
5. BEETHOVEN, Trio, op. 70, no. 2
6. CHOPIN, Polens Grabgesang, op. 74
7. CHOPIN, Valse (Posthumous)
8. BEETHOVEN, Symphony No. 5, op. 67
9. COUPERIN, Carnival
2. DOMINANT TRIAD IN ROOT POSITION
Questions for Analysis
10. MOZART, Rondo
11. KUHNAU, Biblical Sonata No. 1: Victory Dance and Festival
12. BEETHOVEN, Für Elise
13. SCHUMANN, Album for the Young, op. 68: Reiterstück
14. WEBER, Euryanthe, op. 81: Overture
15. BEETHOVEN, Symphony No. 5, op. 67
3. DOMINANT SEVENTH AND NINTH IN ROOT POSITION
Questions for Analysis
Model Analysis
16. WEBER, German Dance
17. MOZART, Sonata, K. 332
18. SCHUBERT, Wiegenlied, op. 98, no. 2
19. VERDI, Rigoletto, Act I, no. 2
20. HAYDN, Sonata in E major, Hob. XVI: 13
21. BEETHOVEN, Symphony No. 4, op. 60
22. WEBER, Oberon: Overture
23. SCHUBERT, Ländler
24. SCHUBERT, Valses Nobles, op. 77
25. MOZART, Valse
4. SUBDOMINANT TRIAD IN ROOT POSITION
Questions for Analysis
26. SCHEIDT, Bergamasca
27. SCHUMANN, Faschingsschwank aus Wien, op. 26, no. 3: Scherzino
28. CHOPIN, Mazurka, op. 17, no. 1
29. BEETHOVEN, Egmont Overture, op. 84
30. VERDI, Rigoletto, Act I, no. 7
31. SCHUBERT, Impromptu, op. 90, no. 4, D. 899
32. KERN, Look for the Silver Lining
33. BEETHOVEN, Seven Country Dances, no. 7
34. SCHUBERT, Ländler
5. CADENTIAL TONIC SIX-FOUR CHORD
Questions for Analysis
35. SCHUBERT, Valses Sentimentales, op. 50, no. 18
36. CHOPIN, Mazurka, op. 24, no. 3
37. DONIZETTI, Lucia di Lammermoor, Act II, no. 6
38. BEETHOVEN, Trio, op. 97
6. TONIC, SUBDOMINANT, AND DOMINANT TRIADS IN FIRST INVERSION
Questions for Analysis
Model Analysis
39. BACH, Lobt Gott, ihr Christen, allzugleich
40. MOZART, Bastien und Bastienne, K. 46B, no. 9
41. MOZART, Sonata, K. 332
42. HAYDN, Sonata in D major, Hob. XVI:37
43. MOZART, Abendempfindung, K. 523
44. BEETHOVEN, Symphony No. 5, op. 67
45. BEETHOVEN, Fidelio, Act I, no. 9
46. MOZART, Sonata, K. 570
47. MENDELSSOHN, Elijah, op. 70, no. 29
48. COUPERIN, Le Petit Rien
49. DANDRIEU, Les Fifres
7. SUPERTONIC TRIAD
Questions for Analysis
50. ANONYMOUS, Dir, dir, Jehovah, will ich singen
51. SCHUBERT, Waltz, op. 9, no. 3, D. 365
52. BEETHOVEN, Six Variations on "Nel cor più non mi sento"
53. MOZART, Die Zauberflöte, K. 620, Act II, no. 21
54. CHOPIN, Zwei Leichen
55. BEETHOVEN, Trio, op. 121A
56. VERDI, Rigoletto, Act II, no. 14
57. CHOPIN, Mazurka, op. 33, no. 2
58. HAYDN, Sonata in E minor, Hob. XVI: 34
8. INVERSIONS OF THE DOMINANT SEVENTH CHORD
Questions for Analysis
59. J. C. F. BACH, Nun danket alle Gott
60. HAYDN, Sonata in C major, Hob. XVI: 35
61. PAISIELLO, Le donne sur balcone
62. MOZART, Quartet, K. 464
63. BEETHOVEN, Sonata, op. 31, no. 3
64. RAMEAU, Sarabande I, vol. I
65. HAYDN, Trio in C major, Hob. XV: 3
66. KUHLAU, Sonatina, op. 20, no. 1
67. BEETHOVEN, Symphony No. 2, op. 36
68. BEETHOVEN, Minuet in C
9. LINEAR (EMBELLISHING) SIX-FOUR CHORDS
Questions for Analysis
69. BEETHOVEN, Concerto No. 1 for Piano, op. 15
70. SCHUBERT, Valses Sentimentales, op. 50, no. 1, D. 779
71. MOZART, Rondo, K. 485
72. HAYDN, Quartet, op. 3, no. 5
73. SCHUBERT, Waltz, op. 9, no. 1, D. 365
74. KUHLAU, Sonatina, op. 88, no. 3
75. MOZART, Symphony No. 35, K. 385
76. BEETHOVEN, Sonatina in G major
77. BEETHOVEN, Symphony No. 7, op. 92
78. MOZART, Symphony No. 41, K. 551
79. HAYDN, Sonata in D major, Hob. XVI: 37
80. BEETHOVEN, Contradanse
81. BUXTEHUDE, Passacaglia
82. BEETHOVEN, Symphony No. 3, op. 55
83. GOUNOD, Faust, Act I, no. 6
84. SULLIVAN, H.M.S. Pinafore, "I'm Called Little Buttercup"
10. SUBMEDIANT AND MEDIANT TRIADS
Questions for Analysis
85. CRÜGER, Herzliebster Jesu, was hast du verbrochen
86. ANONYMOUS, Dir, dir, Jehovah, will ich singen
87. BACH, Schmücke dich, o liebe Seele
88. MOZART, Bastien und Bastienne, K. 46b, no. 1
89. MOZART, Sonata, K. 545
90. HANDEL, Sonata in F for Flute and Continuo
91. VERDI, Rigoletto, Act I, no. 1
92. BRAHMS, Symphony No. 4, op. 98
93. CORELLI, Sonata for Violin and Continuo, op. 5, no. 9
94. SCHUBERT, Quartet in D major, D. 74
95. BEETHOVEN, Trio, op. 1, no. 3
96. MOZART, Sonata, K. 283
97. J. C. F. BACH, Menuet
98. TESSIER, Au joli bois je m'en vais
99. STRAUSS, Der Rosenkavalier, Act III
100. BRAHMS, Romance, op. 118, no. 5
101. SCHUMANN, Phantasiestücke, op. 12, no. 4, Grillen
102. SCHUBERT, Im Abendroth (Posthumous)
103. SCHUBERT, Symphony in C major ("The Great")
11. LEADING TONE TRIAD
Questions for Analysis
104. TESCHNER, Schatz über alle Schätze
105. BACH, Aus meines Herzens Grunde
106. SCHUMANN, Album for the Young, op. 68: Soldatenmarsch
107. HANDEL, Courante
108. HAYDN, Sonata in E major, Hob. XVI: 49
109. HAYDN, Sonatina in D major, Hob. XVI: 4
110. MOZART, Sonata, K. 280
111. DAQUIN, La Joyeuse
12. VARIANT QUALITIES OF DIATONIC TRIADS
Questions for Analysis
Scalar Variants in Minor
112. Bach, Herr, ich habe mißgehandelt
113. Pachelbel, Chaconne
114. Telemann, Fantasie No. 8
115. Byrd, Pavana "The Earle of Salisbury"
116. A. Scarlatti, Folia
117. Mattheson, Minuet
118. Mozart, Sonata, K. 310
Modal Borrowing
119. VERDI, La Traviata, Act I, no. 4
120. DONIZETTI, Linda di Chamounix, "O luce di quest'anima"
121. MOZART, Sonata for Violin and Piano, K. 306
122. HAYDN, Sonatina in C major, Hob. XVI: 7
123. SCHUBERT, Aufenthalt
124. SCHUBERT, Der Wanderer
125. BRAHMS, Symphony No. 3, op. 90
126. VERDI, Il Trovatore, Act II, no. 11
127. BEETHOVEN, Symphony No. 5, op. 67
128. BRAHMS, Symphony No. 4, op. 98
13. SUPERTONIC SEVENTH CHORD
Questions for Analysis
129. ANONYMOUS, Herr, wie du willst, so schick's mit mir
130. BACH, Straf' mich nicht in deinem Zorn
131. HAYDN, Sonata in A? major, Hob. XVI: 46
132. GRIEG, Lyric Pieces, op. 12, no. 3: Voegtersang
133. BEETHOVEN, Symphony No. 6, op. 68
134. SCHUBERT, Quartet, op. 168, D. 112
135. MOZART, Sonata, K. 310
136. SCHUBERT, Ständchen
137. BEETHOVEN, Symphony No. 2, op. 36
138. BEETHOVEN, Sonata, op. 14, no. 2
139. BEETHOVEN, Symphony No. 6, op. 68
140. BIZET, Carmen, Act II: Entr'acte
141. RODGERS, Blue Moon
14. LEADING TONE SEVENTH CHORD
Questions for Analysis
142. DVORAK, Quartet, op. 96
143. MOZART, Sonata, K. 457
144. SCHUMANN, Carnaval, op. 9: Chiarina
145. BRAHMS, Ballade, op. 10, no. 4
146. HANDEL, Sonata for Flute and Basso Continuo, HWV 362
147. HAYDN (?), Allegro
148. HAYDN, Trio in G major, Hob. XV: 25
149. MOZART, Requiem, K. 626: Offertorium
150. HAYDN, Sonatina in G major, Hob. XVI: 11
151. HANDEL, Judas Maccabaeus, Part III: no. 53, Introduction
152. WAGNER, Das Rheinghold, Scene 1
153. GLUCK, Orphée, Act I, no. 1
154. HANDEL, Aria con Variazioni, Leçon No. 1
155. TELEMANN, Fantasia, Dozzina 1, no. 5
156. MOZART, Sonata for Violin and Piano, K. 306
15. OTHER DIATONIC SEVENTH CHORDS
Questions for Analysis
157. BACH, O Ewigkeit, du Donnerwort
158. MOZART, Rondo. K. 494
159. MENDELSSOHN, Kinderstück, op. 72, no. 1
160. PACHELBEL, Fantasie
161. HANDEL, Sonata for Flute and Continuo
162. HANDEL, Leçon No. 2, Menuet
163. TCHAIKOVSKY, Symphony No. 4, op. 36
164. BACH, French Suite in D minor, Menuet
16. COMPLETE PIECES FOR ANALYSIS I
Checklist for Analysis
165. BEETHOVEN, Minuet
166. SCHUBERT, Dance
167. SCHUBERT, German Dance, op. 33, no. 12
168. BEETHOVEN, Scottish Dance
169. PURCELL, Rigadoon
170. RAMEAU, Minuet
171. WITT, Passacaglia
172. GRIEG, Lyric Pieces, op. 12, no. 6: Norsk
PART II CHROMATIC MATERIALS
Suggestions for Discussion
17. SECONDARY (APPLIED, BORROWED) DOMINANTS
Questions for Analysis
Model Analysis
173. BEETHOVEN, Trio, op. 1, no. 1
174. MOZART, Sonata, K. 281
175. SCHUBERT, Impromptu, op. 142, no. 3
176. HAYDN, Trio in D major
177. BEETHOVEN, Sonatina in G major
178. WEBER, Oberon: Overture
179. BEETHOVEN, Trio, op. 1, no. 1
180. SCHUMANN, Sonata, op. 118c., Andante
181. BEETHOVEN, Symphony No. 1, op. 21
182. HANDEL, Suite XI
183. SCHUMANN, Arabeske, op. 18
184. BEETHOVEN, Symphony No. 4, op. 60
185. SCHUMANN, Widmung, op. 25, no. 1
186. SCHUBERT, Symphony No. 8 ("Unfinished")
187. SCHUMANN, Sonata, op. 118c., Puppenwiegenlied
188. SCHUBERT, Quintet ("Die Forelle"), op. 114, D. 667
189. BEETHOVEN, Quintet, op. 29
190. BEETHOVEN, Trio, op. 11
191. VERDI, Rigoletto, Act II, no. 7
192. HANDEL, Suite XVI
193. BEETHOVEN, Sonata, op. 53
194. SCHUBERT, Symphony in C major ("The Great")
195. BEETHOVEN, Trio, op. 1, no. 3
196. SCHUBERT, Mass in E major: Benedictus
197. MENDELSSOHN, Midsummer Night's Dream, op. 61: Wedding March
198. VERDI, Rigoletto, Act II, no. 14
199. BACH, Christmas Oratorio, Part I, no. 4: Bereite dich, Zion
200. HANDEL, Sonata VII for Flute and Continuo
201. CHOPIN, Mazurka, op. 67, no. 2
202. CHOPIN, Valse, op. 69, no. 1
203. CHOPIN, Valse Brillante, op. 34, no. 3
204. GERSHWIN, Someone to Watch Over Me
205. TCHAIKOVSKY, Children's Album, op. 39, no. 1.: Morning Prayer
18. MODULATION TO CLOSELY RELATED KEYS
Questions for Analysis
Modulation to Dominant
206. MOZART, Symphony No. 39, K. 543
207. MOZART, Sonata, K. 331
208. BEETHOVEN, Symphony No. 2, op. 36
209. HAYDN, Minuet
210. SCHUBERT, Quartet, D. 173
211. HAYDN, Sonata in C minor, Hob. XVI: 36
212. MOZART, Symphony No. 41, K. 551
213. CHOPIN, Mazurka, op. 7, no. 2
214. HAYDN, Sonata in G major, Hob. XVI: 39
215. MOZART, Sonata, K. 282, Menuet I
216. SCHUBERT, Quartet, D. 173
Modulation to Relative Major
217. HAYDN, Trio in F minor, Hob. XV: 26
218. HAYDN, Sonata in E minor, Hob. XVI: 34
219. MOZART, Sonata, K. 330
220. DONIZETTI, Lucia di Lammermoor, Act I, Cavatina
221. BRAHMS, Quintet, op. 115
222. BEETHOVEN, Symphony No. 7, op. 92
223. HAYDN, Symphony No. 104, Hob. I: 104
Modulation to Other Closely Related Keys
224. HAYDN, Sonatina, Hob. XVI: 1
225. BONONCINI, Deh più a me non vàscondete
226. SAINT-SAËNS, Carneval des Animaux: Le Cygne
227. BRAHMS, Waltz, op. 39, no. 15
228. BEETHOVEN, Quartet, op. 18, no. 2
229. PURCELL, Dido and Aeneas, Act I, scene I
230. BACH, French Suite in C Minor
19. COMPLETE PIECES FOR ANALYSIS II
Checklist for Analysis
231. BACH, Wachet auf, ruft uns die Stimme
232. BACH, In dulci jubilo
233. BACH, Christ lag in Todesbanden
234. HANDEL, Menuet
235. BEETHOVEN, Sonata, op. 26
236. SCHUMANN, Sonata, op. 118b., Abendlied
237. BRAHMS, Waltz, op. 39
238. HANDEL, Prelude
239. BEETHOVEN, Sonatina in F major
240. HAYDN, Sonata in G major, Hob. XVI: 27
241. GERSHWIN, I Got Rhythm
20. LINEAR (EMBELLISHING) DIMINISHED SEVENTH CHORDS
Questions for Analysis
242. HAYDN, Symphony No. 104, Hob. I: 104, Menuet
243. BEETHOVEN, Symphony No. 7, op. 92
244. LISZT, Les Préludes
245. BEETHOVEN, Contradanse
246. TCHAIKOVSKY, Symphony No. 6, op. 74
247. BEETHOVEN, Quartet, op. 18, no. 3
248. SCHUBERT, Sonata, op. 53
249. GOUNOD, Faust, Act IV, no. 18
250. SCHUMANN, Carnaval, op. 9: Arlequin
251. MOZART, Waltz, K. 567
252. WAGNER, Rienzi: Overture
253. BELLINI, I Puritani, Act II, scene 3
254. HAYDN, Symphony No. 104, Hob. I: 104
255. RODGERS, The Girl Friend
256. BRAHMS, Liebeslieder Walzer, op. 52, no. 4
21. NEAPOLITAN TRIAD
Questions for Analysis
257. MOZART, Concerto in A major, K. 488
258. SCHUBERT, Die schöne Müllerin, Op. 25: Der Müller und der Bach
259. BACH, Ach Gott, vom Himmel sieh' darein
260. BACH, Invention No. 13
261. VERDI, Il Trovatore, Act II, no. 8
262. BRAHMS, Intermezzo in A major, op. 118, no. 2
263. CHOPIN, Prelude, op. 28, no. 20
264. BEETHOVEN, String Quartet, op. 59, no. 2
265. BRAHMS, Wie Melodien zieht es mir, op. 105
266. BEETHOVEN, Quartet, op. 18, no. 3
267. SCHUBERT, Mass in E major: Credo
268. BACH, The Well-Tempered Clavier, Vol. II, Fugue 17
269. CHOPIN, Prelude, op. 28, no. 6
22. AUGMENTED SIXTH CHORDS, SUBMEDIANT DEGREE AS LOWEST NOTE
Model Analysis
Questions for Analysis
Italian
270. BACH, Ich hab' mein' Sach' Gott heimgestellt
271. BEETHOVEN, Bagatelle, op. 119, no. 1
272. BEETHOVEN, Coriolan Overture, op. 62
273. TCHAIKOVSKY, Children's Album, op. 39, no. 10: Mazurka
274. SCHUBERT, Quartet, op. 168, D. 112
275. BEETHOVEN, Symphony No. 1, op. 21
German
276. MOZART, Sonata, K. 457
277. BEETHOVEN, Sonata, op. 109
278. HAYDN, Trio, Hob. XV: 25
279. BEETHOVEN, Thirty-Two Variations, WoO 80, Var. 30
280. SIBELIUS, Chanson Sans Paroles, op. 40, no. 2
281. STRAUSS, Der Rosenkavalier, Act I
French
282. MENDELSSOHN, Elijah, op. 70, no. 1
283. SCHUBERT, Mass in G major: Kyrie
284. BACH, Wer nur den lieben Gott lä t walten
285. SCHUBERT, Sonata, op. 42
286. VERDI, La Traviata, Act III: Prelude
287. SCHUBERT, Symphony in C major ("The Great")
288. GRIEG, Alfedans, op. 12
289. HERBERT, Gypsy Love Song
Enharmonic German
290. SCHUMANN, Dichterliebe, op. 48, no. 12: "Am leuchtenden Sommermorgen"
23. AUGMENTED SIXTH CHORDS, OTHER SCALE DEGREES AS LOWEST NOTE
Questions for Analysis
291. MOZART (?), Adagio
292. GRANADOS, Valses Poeticos
293. SCHUBERT, Symphony No. 8 ("Unfinished")
294. MOUSSORGSKY, Songs and Dances of Death, no. 4
295. GLUCK, Orphée, Act I, nos. 6 and 7
24. AUMENTED SIXTH CHORDS, OTHER USES
Question for Analysis
Linear
296. VERDI, Rigoletto, Act I: Prelude
297. TCHAIKOVSKY, Song Without Words, op. 40, no. 6
298. TCHAIKOVSKY, Romeo and Juliet
299. SCHUBERT, Waltz
300. BRAHMS, Intermezzo, op. 76, no. 4
301. TCHAIKOVSKY, Children's Album, op. 39, no. 20: The Witch
Secondary
302. CHOPIN, Prelude, op. 28, no. 22
303. SCHUBERT, Mass in G major: Benedictus
304. SCHUBERT, Die Allmacht, op. 79, no. 2
Altered Dominants
305. SCHUBERT, Quintet, op. 163
306. LISZT, Liebestraum, no. 3
307. RIMSKY-KORSAKOV, Snowmaiden, Chanson du Bonhomme Hiver
308. GRIEG, Solvejg's Lied
25. OTHER MEANS OF MODULATION
Model Analysis
Question for Analysis
309. SCHUBERT, Mass in G major: Gloria
310. BRAHMS, Wenn du nur zuweilen lächelst, op. 57, no. 2
311. BEETHOVEN, Symphony No. 5, op. 67
312. SCHUBERT, Waltz, op. 9, no. 14, D. 365
313. MOZART, Die Entführung aus dem Serail, K. 384, Act III, no. 18
314. SCHUMANN, Symphony No. 2, op. 61
315. BEETHOVEN, Symphony No. 7, op. 92
316. HAYDN, String Quartet, op. 76, no. 6
317. BEETHOVEN, Sonata, op. 13
318. BEETHOVEN, Trio, op. 70, no. 1
319. SCRIABIN, Prelude, op. 13, no. 3
320. J. STRAUSS, Die Fledermaus: Overture
321. BRAHMS, Wie bist du meine Königen, op. 32, no. 9
322. SCHUBERT, Mass in A major: Agnus Dei
323. BEETHOVEN, Trio, op. 11
324. RACHMANINOFF, Melodie, op. 3, no. 3
325. SCHUBERT, Symphony No. 8 ("Unfinished")
26. NINTH CHORDS
Questions for Analysis
Dominant Ninths
326. J. STRAUSS, Artist's Life Waltzes, op. 316, no. 3
327. FRANCK, Sonata for Violin and Piano
328. BEETHOVEN, Theme from Six Easy Variations, WoO 77
329. CHOPIN, Valse Brillante, op. 34, no. 1
330. SCHUMANN, Waldesgespräch, op. 39, no. 3
331. CHOPIN, Prelude, op. 28, no. 15
Secondary Dominant Ninths
332. BACH, St. Matthew Passion, no. 78
333. SCHUMANN, Genoveva, op. 81: Overture
334. GRIEG, Grandmother's Minuet, op. 68, no. 2
335. SCHUMANN, Kinderszenen, op. 15, no. 7: Träumerei
Nondominant Ninths
336. GRIEG, Wedding Day at Troldhaugen, op. 65, no. 6
337. MENDELSSOHN, Midsummer Night's Dream, op. 21: Overture
338. FAUR´E, Après un Rêve
27. EXTENDED LINEAR USAGES
Questions for Analysis
Model Analysis
339. CHOPIN, Mazurka, op. 6, no. 1
340. BRAHMS, "Der Tod, das ist die kühle Nacht," op. 96, no. 1
341. WEBER, Euryanthe: Overture
342. BRAHMS, Variations on a Theme by Handel, var. 20
343. FRANCK, Symphony in D minor
344. WAGNER, Lohengrin, Act I, scene 2
345. WAGNER, Wotan's Farewell, Die Walküre, Act III
346. CHOPIN, Prelude, op. 28, no. 9
347. BEETHOVEN, Quartet, op. 18, no. 6
28. COMPLETE PIECES FOR ANALYSIS III
Checklist for Analysis
348. BACH, Ein' feste Burg ist unser Gott
349. BACH, Es ist genug, so nimm, Herr
350. MOZART, Minuet, K. 355
351. SCHUMANN, C., Myrthen, op. 25, no. 24
352. SCHUMANN, R., Drei Lieder, op. 12, no. 2
353. MENDELSSOHN, Lieder ohne Wörte, op. 30, no. 3
354. CHOPIN, Mazurka, Op. posth. 67, no. 2
355. SCHUMANN, Phantasiestücke, op. 12, no. 3: Warum?
356. GRIEG, Lyric Pieces: op. 43, no. 5: Erotikon
357. LISZT, Il pensieroso, from Années de Pèlerinage
358: COLERIDGE-TAYLOR, Cameos for piano, op. 56, no. 3
359. R. STRAUSS, Morgen, op. 27, no. 4
360. WAGNER, Wesendonck Lieder, no. 1: Der Engel
361. BEETHOVEN, Sieben Variationen über das Volkslied: "God Save the King", WoO 78
362. MOZART, Symphony No. 40, K. 550
363. BEACH, Sketches, op. 15: Phantoms
364. JOPLIN, A Breeze from Alabama: March and Two-Step
365. WAGNER, Tristan und Isolde, Act I: Prelude
366. MOZART, Sonata, K. 309
I. Allegro con spirito
II. Andante, un poco Adagio
III. Allegretto grazioso
367. BEETHOVEN, Sonata, op. 2, no. 3
I. Allegro con brio
II. Adagio
III. Scherzo, Allegro
IV. Allegro assai
29. EXAMPLES OF COUNTERPOINT
Questions for Analysis
368. BACH, Cantata No. 4: Sinfonia
369. BACH, Chorale Prelude on "In Dulci Jubilo"
370. BACH, Chorale Prelude on "Christ lag in Todesbanden"
371. BRAHMS, Chorale Prelude on "O Wie selig seid ihr doch, ihr Frommen"
372. PURCELL, "Thy hand Belinda", from Dido and Aeneas
373. BACH, Invention No. 4, BWV 775
374. BACH, Invention No. 13, BWV 775
375. BACH, Sinfonia 3, BWV 789
376. BACH, The Well-Tempered Clavier, Vol. I, Fugue 2
377. BACH, The Well-Tempered Clavier, Vol. II, Fugue 9
378. MENDELSSOHN, Fugue No. 2, op. 35
Additional Examples for the Study of Contrapuntual Techniques
PART III CONTEMPORARY MATERIALS
Suggestions for Discussion
Model Analysis
30. EXTENDED AND ALTERED TERTIAN HARMONY
Questions for Analysis
379. HANSON, Symphony No. 2, op. 30
380. KABALEVSKY, Sonatina, op. 13
381. HOVHANESS, Mysterious Mountain
382. SHOSTAKOVICH, Prelude, op. 34, no. 24
383. DEBUSSY, Pelléas et Mélisande, Act I, scene 1
384. SCRIABIN, Poem, op. 32, no. 2
385. RAVEL, Valses Nobles et Sentimentales
386. RODGERS, Slaughter on Tenth Avenue
387. ELLINGTON, Prelude to a Kiss
388. DUKE JORDAN, Jordu
389. PARKER, Anthropology
390. BERG, Four Songs, op. 2, no. 3
391. RAKSIN, Laura
31. DIATONIC (CHURCH) MODES
Model Analysis
Questions for Analysis
392. BARTO´K, Little Pieces for Children, no. III
393. CHA´VEZ, Ten Preludes, no. 1
394. POULENC, Valse
395. DEBUSSY, Trois Chansons, no. 1
396. KABALEVSKY, Toccatina
397. BRITTEN, Ceremony of Carols, no. 8
398. DEBUSSY, Suite bergamasque, Passepied
399. FLOYD, Susannah, Act II, scene 3
400. STRAVINSKY, Five Fingers: Lento
401. BARTO´K, Fourteen Bagatelles, op. 6, no. 4
402. CASELLA, Siciliana
403. ADDERLEY, Work Song
32. PANDIATONICISM AND ADDITIVE HARMONY
Questions for Analysis
404. RAVEL, Mother Goose Suite: The Magic Garden
405. MILHAUD, Touches Blanches
406. COWELL, The Irishman Dances
407. COPLAND, The Young Pioneers
408. BARBER, Excursions, III
409. STRAVINSKY, Petroushka, Danse Russe
410. POULENC, Gloria, Laudamus te
33. EXOTIC (ARTIFICIAL, SYNTHETIC) SCALES
Questions for Analysis
411. MILHAUD, Touches Noires
412. BARTO´K, Mikrokosmos, no. 78: Five Tone Scale
413. KODA´LY, Valsette
414. VAUGHAN WILLIAMS, London Symphony
415. DEBUSSY, Préludes, II: Voiles
416. BARTO´K, Mikrokosmos, no. 136: Whole Tone Scale
417. DEBUSSY, Pelléas et Mélisande, Act II, scene 1
418. BARTO´K, Fourteen Bagatelles, op. 6, no. 10
419. LUTOSLAWSKI, Bucolic, no. 3
420. BARTO´K, Mikrokosmos, no. 101: Diminished Fifth
421. BARTO´K, Sketches, op. 9, no. 6
422. BARTO´K, Fourteen Bagatelles, op. 6, no. 6
34. QUARTIAL AND SECUNDAL HARMONY
Questions for Analysis
423. HINDEMITH, Mathis der Maler: Grablegung
424. IVES, Majority
425. KRENEK, Piano Piece, op. 39, no. 5
426. HINDEMITH, Ludus Tonalis, Fuga secunda in G
427. BARTO´K, Concerto for Orchestra
428. BERG, Wozzeck, Act II
429. BARTO´K, Mikrokosmos, no. 107: Melody in the Mist
430. BERG, Wozzeck, Act II
431. COWELL, Tiger
432. IVES, Majority
433. BRUBECK, Blue Rondo à la Turk
35. POLYHARMONY AND POLYTONALITY
Questions for Analysis
434. HONEGGER, Symphony No. 5
435. SCHUMAN, A Three-Score Set, II
436. KRAFT, Allegro Giocoso
437. STRAVINSKY, The Rake's Progress: Prelude
438. STRAVINSKY, Petroushka, Scene 2
439. MILHAUD, Saudades do Brazil, no 7: Corcovado
440. BARTO´K, Forty-Four Violin Duets, no. 33
441. BRUBECK, Strange Meadowlark
36. FREE ATONALITY
Questions for Analysis
442. SCHÖNBERG, Drei Klavierstücke, op. 11, no. 1
443. SCHÖNBERG, Klavierstücke, op. 19, no. 2
444. SCHÖNBERG, Pierrot Lunaire, op. 21, no. 1: Mondestrunken
445. WEBERN, Five Movements for String Quartet, op. 5, no. 4
446. BARTO´K, Mikrokosmos, no. 144: Minor Seconds, Major Sevenths
447. BARTO´K, Fourth String Quartet
448. BERGER, Two Episodes, I
37. TWELVE-TONE SERIALISM
Model Analysis
Questions for Analysis
449. KRENEK, Dancing Toys, op. 83, no. 1
450. SCHÖNBERG, Suite für Klavier, op. 25: Gavotte
451. DALLAPICCOLA, Cinque Frammenti di Saffo
452. WEBERN, Drei Lieder, op. 25, no. 1
38. MUSIC SINCE 1945
Questions for Analysis
453. Stockhausen, Klavierstücke, no. 2
454. Lutoslawski, String Quartet (1965)
455. Penderecki, String Quartet, no. 2
456. Crumb, Madrigals, Book IV
457. Druckman, Valentine, for solo contrabass
458. Rouse, Valentine
459. Horne, Six Short Studies, Sixteenth Notes
39. COMPLETE PIECES FOR ANALYSIS IV
Suggestion for Analysis
460. Ravel, Sonatine, Mouvt II
461. Debussy, Pour le Piano: Sarabande
462. Debussy, Préludes, X: La Cathédrale engloutie
463. Boulanger, Trois Morceaux, no. 1: "D''un vieux jardin"
464. Milhaud, Saudades do Brazil, No. 6: Gavea
465. Tailleferre, Berceuse
466. Tailleferre, Impromptu
467. Prokofiev, Classical Symphony, op. 25
468. Prokofiev, The Love of Three Oranges: March
469. Hindemith, Ludus Tonalis: Fuga undecima in B (Canon)
470. Ruggles, Evocations, no. 1
471. Schönberg, Suite für Klavier, op. 25: Menuett
472. Porter, Night and Day
473. Gershwin, Porgy and Bess: "Summertime"
474. Rodgers and Hart, Blue Moon. Arranged by André Previn
475. Stravinsky, Sonata for Two Pianos, II: Theme with Variations
476. Hindemith, Piano Sonata No. 2
477. Macmillan, Piano Sonata, I
APPENDIX A. CHECKLIST FOR ANALYSIS AND SAMPLE ANALYSIS
APPENDIX B. FOR FURTHER REFERENCE
APPENDIX C. TEXTBOOK CORRELATION CHART
ACKNOWLEDGMENTS
INDEX OF COMPOSERS AND THEIR COMPOSITIONS
INDEX OF COMPLETE PIECES
| Erscheinungsdatum | 08.02.2018 |
|---|---|
| Verlagsort | New York |
| Sprache | englisch |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
| ISBN-10 | 0-19-062075-7 / 0190620757 |
| ISBN-13 | 978-0-19-062075-2 / 9780190620752 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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