The Fourth String
A Memoir of Sensei and Me
Seiten
2019
Stone Bridge Press (Verlag)
978-1-61172-046-4 (ISBN)
Stone Bridge Press (Verlag)
978-1-61172-046-4 (ISBN)
Two women. Two cultures. One music.
The word sensei in Japanese literally means “one who came before,” but that’s not what Janet Pocorobba’s teacher wanted to be called. She used her first name, Western-style. She wore a velour Beatles cap and leather jacket, and she taught foreigners, in English, the three-stringed shamisen, an instrument that fell out of tune as soon as you started to play it.
Vexed by the music and Sensei’s mission to upend an elite musical system, Pocorobba, on the cusp of thirty, gives up her return ticket home to become a lifelong student of her teacher. She is eventually featured in Japan Cosmo as one of the most accomplished gaijin, “outside people,” to play the instrument.
Part memoir, part biography of her Sensei, The Fourth String looks back on the initial few years of that apprenticeship, one that Janet’s own female English students advised her was “wife training,” steeped in obedience, loyalty, and duty. Even with her maverick teacher, Janet is challenged by group hierarchies, obscure traditions, and the tricky spaces of silence in Japanese life.
The word sensei in Japanese literally means “one who came before,” but that’s not what Janet Pocorobba’s teacher wanted to be called. She used her first name, Western-style. She wore a velour Beatles cap and leather jacket, and she taught foreigners, in English, the three-stringed shamisen, an instrument that fell out of tune as soon as you started to play it.
Vexed by the music and Sensei’s mission to upend an elite musical system, Pocorobba, on the cusp of thirty, gives up her return ticket home to become a lifelong student of her teacher. She is eventually featured in Japan Cosmo as one of the most accomplished gaijin, “outside people,” to play the instrument.
Part memoir, part biography of her Sensei, The Fourth String looks back on the initial few years of that apprenticeship, one that Janet’s own female English students advised her was “wife training,” steeped in obedience, loyalty, and duty. Even with her maverick teacher, Janet is challenged by group hierarchies, obscure traditions, and the tricky spaces of silence in Japanese life.
Janet Pocorobba’s involvement with Japan includes two decades of performing and lecturing on Japanese arts on two continents, in concert halls, schools, museums, and backyards. Her work has been published in the Rumpus, Harvard Review, The Writer, Kyoto Journal, Indiana Review, and others. She is currently associate professor and associate director of the Low-Residency MFA Program in Creative Writing at Lesley University. Janet lives in Vermont and can be reached at www.janetpocorobba.com
| Erscheinungsdatum | 08.11.2018 |
|---|---|
| Zusatzinfo | Illustrations |
| Verlagsort | Berkeley CA |
| Sprache | englisch |
| Maße | 139 x 215 mm |
| Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
| Literatur ► Briefe / Tagebücher | |
| Kunst / Musik / Theater ► Musik ► Instrumentenkunde | |
| ISBN-10 | 1-61172-046-X / 161172046X |
| ISBN-13 | 978-1-61172-046-4 / 9781611720464 |
| Zustand | Neuware |
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