Robert Lepage’s Scenographic Dramaturgy
Springer International Publishing (Verlag)
978-3-319-73367-8 (ISBN)
Melissa Poll is SSHRC Postdoctoral Fellow at Simon Fraser University, Canada. Her research on Robert Lepage, performance-making, interculturalism and contemporary theatre criticism has been published in Body, Space & Technology Journal, Interventions/Contemporary Theatre Review, Canadian Theatre Review and Theatre Research in Canada.
1. Introduction.- 2. Scenographic Dramaturgy & Auteuring Adaptations.- 3. The Nightingale and Other Short Fables: Re-Authoring Atypical Opera.- 4. Making Music Visible: Robert Lepage Adapts Aspects of Siegfried Without Shifting a Word.- 5. Adapting 'Le Grand Will' in Wendake: Ex Machina and the Huron-Wendat Nation's La Tempête.- 6. Re-'Writing' The Dragons' Trilogy and Needles & Opium for the Twenty-First Century: Robert Lepage's Auto-Adaptations.- 7 Conclusion.
"The strengths of this book can get hidden beneath overly technical academic language but overall, it makes a series of points very strongly and should be of value to readers who care about the inimitable work of Robert Lepage." (Philip Fisher, British Theatre Guide, britishtheatreguide.info, July 10, 2018)
Erscheinungsdatum | 22.07.2018 |
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Reihe/Serie | Adaptation in Theatre and Performance |
Zusatzinfo | XI, 199 p. 33 illus., 21 illus. in color. |
Verlagsort | Cham |
Sprache | englisch |
Maße | 148 x 210 mm |
Gewicht | 406 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Kunst / Musik / Theater ► Theater / Ballett | |
Schlagworte | Auteur theatre • Auto-adaptation • Collaboration • Nightingale • ring cycle • Robert Lepage • Scenic writing • Theatre adaptation • The Tempest |
ISBN-10 | 3-319-73367-2 / 3319733672 |
ISBN-13 | 978-3-319-73367-8 / 9783319733678 |
Zustand | Neuware |
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