Colouring the Caribbean
Race and the Art of Agostino Brunias
Seiten
2017
Manchester University Press (Verlag)
978-1-5261-2045-8 (ISBN)
Manchester University Press (Verlag)
978-1-5261-2045-8 (ISBN)
The first monographic study of the painter Agostino Brunias, this book offers a compelling, original analysis of his representation of race in the British colonial West Indies, reconsidering the way in which the artist’s oeuvre has previously been understood. -- .
Colouring the Caribbean offers the first comprehensive study of Agostino Brunias’s intriguing pictures of colonial West Indians of colour – so called ‘Red’ and ‘Black’ Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race – made for colonial officials and plantocratic elites during the late-eighteenth century. Although Brunias’s paintings have often been understood as straightforward documents of visual ethnography that functioned as field guides for reading race, this book investigates how the images both reflected and refracted ideas about race commonly held by eighteenth-century Britons, helping to construct racial categories while simultaneously exposing their constructedness and underscoring their contradictions. The book offers provocative new insights about Brunias’s work gleaned from a broad survey of his paintings, many of which are reproduced here for the first time. -- .
Colouring the Caribbean offers the first comprehensive study of Agostino Brunias’s intriguing pictures of colonial West Indians of colour – so called ‘Red’ and ‘Black’ Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race – made for colonial officials and plantocratic elites during the late-eighteenth century. Although Brunias’s paintings have often been understood as straightforward documents of visual ethnography that functioned as field guides for reading race, this book investigates how the images both reflected and refracted ideas about race commonly held by eighteenth-century Britons, helping to construct racial categories while simultaneously exposing their constructedness and underscoring their contradictions. The book offers provocative new insights about Brunias’s work gleaned from a broad survey of his paintings, many of which are reproduced here for the first time. -- .
Mia L. Bagneris is Associate Professor of Africana Studies and Art History and Director of the Africana Studies Program at Tulane University. -- .
Introduction
1 Brunias’s tarred brush, or painting Indians black: race-ing the Carib divide
2 Merry and contented slaves and other island myths: representing Africans and Afro-Creoles in the Anglo-American world
3 Brown-skinned booty, or colonising Diana: mixed-race Venuses and Vixens as the fruits of imperial enterprise
4 Can you find the white woman in this picture? Agostino Brunias’s ‘ladies’ of ambiguous race
Coda – Pushing Brunias’s buttons, or re-branding the plantocracy’s painter: the afterlife of Brunias’s imagery
Index -- .
| Erscheinungsdatum | 17.02.2018 |
|---|---|
| Reihe/Serie | Rethinking Art's Histories |
| Zusatzinfo | 68 colour illustrations |
| Verlagsort | Manchester |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 699 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| ISBN-10 | 1-5261-2045-3 / 1526120453 |
| ISBN-13 | 978-1-5261-2045-8 / 9781526120458 |
| Zustand | Neuware |
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