Film/Music Analysis
Springer International Publishing (Verlag)
978-3-319-61692-6 (ISBN)
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Dr Emilio Audissino is a film historian with a background in filmmaking. He has published widely on the topic of film music and is the author of John Williams's Film Music: Jaws, Star Wars, Raiders of the Lost Ark and the Return of the Classical Hollywood Music Style (2014).
1. Introduction: Who Is Entitled To Study Film Music?.- 2. PART I: Pars Destruens - Chapter 2. The Not-So-Fantastical Gap between Music Studies and Film Studies.- 3. Recent Attempts to Bridge the Gap and Overcome a Separatism Conception.- 4. PART II: Pars Construens - Chapter 4. The Neoformalist Proposal.- 5. Film/Music Analysis I: Music, Gestalt, and Audiovisual Isomorphism.- 6. Film/Music Analysis II: Functions and Motivations of Music.- 7. PART III: Pars Demonstrans - Chapter 7. Five Illustrations of Film/Music Analysis.- 8. Close Encounters of the Third Kind and E.T. The Extraterrestrial. The Bonding Power of Music.- 9. Recapitulation and Final Thoughts.
Erscheinungsdatum | 09.11.2017 |
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Reihe/Serie | Palgrave Studies in Audio-Visual Culture |
Zusatzinfo | XIII, 245 p. 9 illus. |
Verlagsort | Cham |
Sprache | englisch |
Maße | 148 x 210 mm |
Gewicht | 438 g |
Themenwelt | Kunst / Musik / Theater ► Musik |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
Schlagworte | Audio-Visual Culture • Cultural Studies • Film history, theory & criticism • Film history, theory & criticism • film music • Film music analysis • Film music theory • Film theory • Film/TV Technology • gestalt theory • Literature, Cultural and Media Studies • music • Music in cinema • Neoformalism • Neoformalist approach to film analysis • performing arts • Screen music analysis • society & culture: general • Society & culture: general • Sound in film |
ISBN-10 | 3-319-61692-7 / 3319616927 |
ISBN-13 | 978-3-319-61692-6 / 9783319616926 |
Zustand | Neuware |
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