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Film/Music Analysis - Emilio Audissino

Film/Music Analysis

A Film Studies Approach
Buch | Hardcover
XIII, 245 Seiten
2017 | 1st ed. 2017
Springer International Publishing (Verlag)
978-3-319-61692-6 (ISBN)
CHF 130,00 inkl. MwSt
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This book offers an approach to film music in which music and visuals are seen as equal players in the game. The field of Film-Music Studies has been increasingly dominated by musicologists and this book brings the discipline back squarely into the domain of Film Studies. Blending Neoformalism with Gestalt Psychology and Leonard B. Meyer's musicology, this study treats music as a cinematic element and offers scholars and students of both music and film a set of tools to help them analyse the wide ranging impact that music has in films.

Dr Emilio Audissino is a film historian with a background in filmmaking. He has published widely on the topic of film music and is the author of John Williams's Film Music: Jaws, Star Wars, Raiders of the Lost Ark and the Return of the Classical Hollywood Music Style (2014). 

1. Introduction: Who Is Entitled To Study Film Music?.- 2. PART I: Pars Destruens - Chapter 2. The Not-So-Fantastical Gap between Music Studies and Film Studies.- 3. Recent Attempts to Bridge the Gap and Overcome a Separatism Conception.- 4. PART II: Pars Construens - Chapter 4. The Neoformalist Proposal.- 5. Film/Music Analysis I: Music, Gestalt, and Audiovisual Isomorphism.- 6. Film/Music Analysis II: Functions and Motivations of Music.- 7. PART III: Pars Demonstrans - Chapter 7. Five Illustrations of Film/Music Analysis.- 8. Close Encounters of the Third Kind and E.T. The Extraterrestrial. The Bonding Power of Music.- 9. Recapitulation and Final Thoughts.

Erscheinungsdatum
Reihe/Serie Palgrave Studies in Audio-Visual Culture
Zusatzinfo XIII, 245 p. 9 illus.
Verlagsort Cham
Sprache englisch
Maße 148 x 210 mm
Gewicht 438 g
Themenwelt Kunst / Musik / Theater Musik
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
Schlagworte Audio-Visual Culture • Cultural Studies • Film history, theory & criticism • Film history, theory & criticism • film music • Film music analysis • Film music theory • Film theory • Film/TV Technology • gestalt theory • Literature, Cultural and Media Studies • music • Music in cinema • Neoformalism • Neoformalist approach to film analysis • performing arts • Screen music analysis • society & culture: general • Society & culture: general • Sound in film
ISBN-10 3-319-61692-7 / 3319616927
ISBN-13 978-3-319-61692-6 / 9783319616926
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