Music and Embodied Cognition
Indiana University Press (Verlag)
978-0-253-03231-7 (ISBN)
Arnie Cox is Associate Professor of Music Theory and Aural Skills at the Oberlin College Conservatory of Music. His writings and teaching focus on the relationship between embodiment, affect, metaphor, and musical experience. He has published essays on music and gesture, the role of embodiment in music analysis, and the nature of musical subjectivities. He has been an invited speaker at numerous universities and other venues.
Acknowledgments
Part One: Theoretical Background
Introduction
1. Mimetic Comprehension
2. Mimetic Comprehension of Music
3. Metaphor and Related Means of Reasoning
Part Two: Spatial Conceptions
4. Pitch Height
5. Temporal Motion and Musical Motion
6. Perspectives on Musical Motion
Part Three: Beyond Musical Space
7. Music and the External Senses
8. Musical Affect
9. Applications
10. Review and Implications
Appendix I. Mimetic Subvocalization and Absolute Pitch
Appendix II. Levels of Abstraction Among Metaphors
Bibliography
Index
Erscheinungsdatum | 15.08.2017 |
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Zusatzinfo | 10 Printed music items; 14 Illustrations, black and white; 7 Tables, black and white |
Verlagsort | Bloomington, IN |
Sprache | englisch |
Maße | 155 x 235 mm |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
ISBN-10 | 0-253-03231-8 / 0253032318 |
ISBN-13 | 978-0-253-03231-7 / 9780253032317 |
Zustand | Neuware |
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