Globalization and Popular Music in South Korea

Sounding Out K-Pop

Michael Fuhr (Autor)

Buch | Softcover

272 Seiten

2017
Routledge (Verlag)
978-1-138-29866-8 (ISBN)

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This book offers an in-depth study of the globalization of contemporary South Korean idol pop music, or K-Pop, visiting K-Pop and its multiple intersections with political, economic, and cultural formations and transformations. It provides detailed insights into the transformative process in and around the field of Korean pop music since the 1990s, which paved the way for the recent international rise of K-Pop and the Korean Wave. Fuhr examines the conditions and effects of transnational flows, asymmetrical power relations, and the role of the imaginary "other" in K-Pop production and consumption, relating them to the specific aesthetic dimensions and material conditions of K-Pop stars, songs, and videos. Further, the book reveals how K-Pop is deployed for strategies of national identity construction in connection with Korean cultural politics, with transnational music production circuits, and with the transnational mobility of immigrant pop idols. The volume argues that K-Pop is a highly productive cultural arena in which South Korea’s globalizing and nationalizing forces and imaginations coincide, intermingle, and counteract with each other and in which the tension between both of these poles is played out musically, visually, and discursively. This book examines a vibrant example of contemporary popular music from the non-Anglophone world and provides deeper insight into the structure of popular music and the dynamics of cultural globalization through a combined set of ethnographic, musicological, and cultural analysis. Widening the regional scope of Western-dominated popular music studies and enhancing new areas of ethnomusicology, anthropology, and cultural studies, this book will also be of interest to those studying East Asian popular culture, music globalization, and popular music.

Michael Fuhr is Assistant Professor at University of Hildesheim, Center for World Music - Ethnomusicology, Germany.

1. Introduction: Rising K-Pop, Pursuing the Hyphen Part I: Configuring K-Pop: Histories and Production 2. Inventing Korean Popular Music: Historical Formations and Genres (1885–2000) 3. Producing the Global Imaginary: A K-Pop Tropology Part II: Complicating K-Pop: Flows, Asymmetries, and Transformations 4. Temporal Asymmetries: Music, Time, and the Nation-State 5. Spatial Asymmetries: Imaginary Places in the Transnational Production of K-Pop 6. Asymmetries of Mobility: Immigrant Stars and the Conjuncture of Patriotism, Anti-American Sentiment, and Cyberculture 7. Conclusion: "Oppan, Korean Style!": An Imaginary Horse Ride around the Globe

Erscheinungsdatum	12.08.2017
Reihe/Serie	Routledge Studies in Popular Music
Zusatzinfo	8 Tables, black and white; 8 Line drawings, black and white; 11 Halftones, black and white; 27 Illustrations, black and white
Verlagsort	London
Sprache	englisch
Maße	152 x 229 mm
Gewicht	380 g
Themenwelt	Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre
	Kunst / Musik / Theater ► Musik ► Pop / Rock
	Sozialwissenschaften
ISBN-10	1-138-29866-2 / 1138298662
ISBN-13	978-1-138-29866-8 / 9781138298668
Zustand	Neuware