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Mediterranean, Our Own: (Post-)Yugoslav Pop Music

TheMA - Open Access Research Journal for Theatre, Music, Arts. Vol IV/1-2, 2015

Michael Hüttler, Matthias J. Pernerstorfer, Hans Ernst Weidinger, Tatjana Markovic (Herausgeber)

Buch | Softcover

VI, 94 Seiten

2016
Hollitzer Wissenschaftsverlag
978-3-99012-378-2 (ISBN)

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TheMA is a peer-reviewed open-access research journal dedicated to the history of performing and visual arts. It is published biannually by HOLLITZER Wissenschaftsverlag in cooperation with Don Juan Archiv Wien, a non-governmental study centre for the history of theatre and culture in general, and Studium Fæsulanum, a non-governmental research centre dedicated primarily to the artistic and intellectual relevance of Central Tuscany around Florence and her Etruscan 'mother' Fiesole in the history of culture, the home of the first 'villa' of modern times and the birthplace of what we know as 'opera'. TheMA specializes in the critical and trans-disciplinary historical study of artistic production and reception in various artistic genres including literature, theatre, music, painting, sculpture, and architecture. While Middle, Central and Mediterranean Europe before 1900 is TheMA 's principal area of focus, it welcomes contributions on other regions or periods. The journal's editors are particularly interested in research that disregards the traditional borders between the various specializations within the Humanities and Social Sciences in favour of a holistic approach to the study of cultural phenomena. TheMA also invites critical contributions themed on regions (such as Europe's eastern half and adjacent territories in western Asia), which until now have been marginalized in international academic discourse.

Tatjana Markovic (Vienna/Belgrade): Editorial - Mediterranean, Our Own: (Post-)Yugoslav Pop Music
Anita Buhin (Florence/Pula): "A Romantic, Southern Myth": One Day by the Troubadours of Dubrovnik
Milan Milojkovic (Novi Sad): Italian Songs Published in Magazine Metronom za vas (Metronome for You) and on Records Released by Yugoslav Labels
Adriana Sabo (Belgrade): "She Was Afraid that Somebody Would See": The Gender Performativity of Female Yugoslav Singers in the Sixties
Ana Petrov (Belgrade): "My Beautiful Dalmatian Song": (Re)Connecting Serbia and Dalmatia at Concerts of Dalmatian Performers in Belgrade
Leon Stefanija (Ljubljana): Notes on the Mediterranean Music Heritage in Slovenia: A Conceptual Analysis

Erscheinungsdatum	16.12.2016
Reihe/Serie	TheMA: Open Access Research Journal for Theatre, Music, Arts ; Vol IV/1-2
Sprache	englisch
Maße	170 x 240 mm
Gewicht	230 g
Themenwelt	Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre
	Kunst / Musik / Theater ► Musik ► Pop / Rock
	Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte
Schlagworte	Dalmatia • Dalmatian Performers • Jugoslawien • Jugoslawien; Kultur • Mediterranean • Metronom Za Vas • Musik • Musikgeschichte • Musikwissenschaft und Musiktheorie • One Day • Pop • serbia • Slovenia • Slowenien • Troubadours of Dubrovnik • Unterhaltungsmusik, Popmusik • Weltmusik und regionale Musik
ISBN-10	3-99012-378-5 / 3990123785
ISBN-13	978-3-99012-378-2 / 9783990123782
Zustand	Neuware