J. S. Bach’s Well-Tempered Clavier
The introduction covers topics like the origins of the WTC, the “well-tempered” scale, the clavier at Bach’s time, the history of the prelude, and the background of fugue composition. There follows a catalog of questions readers are encouraged to address. The scope of these questions, their implications, and the terms used are explained step by step. The main body of the book consists of 48 chapters with answers regarding the structure, material, performance practice, and interpretation of each pair of prelude + fugue. 175 music examples as well as many tables and full-color diagrams visualizing the design of each fugue facilitate a creative understanding of the works while raising awareness for the concerns of historically conscientious performance.
Siglind Bruhn, born in Hamburg and with a Ph.D. from the University of Vienna (Austria), is a music analyst, concert pianist, and interdisciplinary researcher. Since 1993 she has been affiliated with the University of Michigan’s Institute for the Humanities, where she is responsible for “Music in interdisciplinary dialogue.” She is the author of more than 25 book-length monographs, most of them in the field of 20th-century music’s relationship to literature, art, and religion. In 2001, she was elected to the European Academy of Arts and Sciences; in 2008 she was awarded an honorary doctorate from Linnaeus University (Sweden). During the years 2014-2017, she will be teaching as Guest Professor at the Music Academies of Cracow and Katowice in Poland.
Book publications (English):
*Arnold Schoenberg's Journey from Tone Poems to Kaleidoscopic Sound Colors (2015),
*J. S. Bach’s Well-tempered Clavier. In-depth Analysis and Interpretation (2014, rev. after 1st ed. of 1993)
*The Music of Jörg Widmann (2013)
*Frank Martin’s Musical Reflections on Death (2011)
*Messiaen’s Interpretations of Holiness and Trinity: Echoes of Medieval Theology in His Oratorio, Organ Meditations, and Opera (2008)
*Messiaen’s Explorations of Love and Death: Musical Signification in the “Tristan Trilogy” and Three Related Song Cycles (2008)
*Messiaen’s Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the Two Great Piano Cycles of the 1940s (2007)
The Musical Order of the World: Kepler, Hesse, Hindemith (2005)
*Saints in the Limelight: Representations of the Religious Quest on the Post-1945 Operatic Stage (2003)
*Musical Ekphrasis: Composers Responding to Poetry and Painting (2000)
*Musical Ekphrasis in Rilke's Marienleben (2000)
*The Temptation of Paul Hindemith: Mathis der Maler as a Spiritual Testimony (1997)
*Images and Ideas in Modern French Piano Music: The Extra-musical Subtext in Piano Works by Ravel, Debussy and Messiaen (1997)
Selection of additional studies in German:
* Henri Dutilleux: Jede Note auf der Goldwaage gewogen (2016)
*Aribert Reimanns Vokalmusik (2016)
*Europas klingende Bilder. Eine musikalische Reise (2013)
*Hindemiths große Instrumentalwerke. Hindemith trilogy vol. III (2012)
*Hindemiths große Vokalwerke. Hindemith trilogy vol. II (2010)
*Hindemiths große Bühnenwerke. Hindemith trilogy vol. I (2009)
*
Christus als Opernheld im späten 20. Jahrhundert (2005)
*Das tönende Museum. Musik des 20. Jahrhunderts interpretiert Werke bildender Kunst (2004)
*Die musikalische Darstellung psychologischer Wirklichkeit in Alban Bergs Wozzeck (1986)
*Die Kunst musikalischer Gestaltung am Klavier. Gestaltungskriterien und Gestaltungsmittel in Bach’scher und klassischer Klaviermusik (1981)
| Erscheint lt. Verlag | 1.2.2014 |
|---|---|
| Zusatzinfo | 96 Diagramme des Fugenaufbaus, über 200 Notenbeispiele |
| Sprache | englisch |
| Maße | 148 x 210 mm |
| Gewicht | 838 g |
| Einbandart | Paperback |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musikgeschichte |
| Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
| Schlagworte | Detaillierte Anweisungen zu Analyse und Interpretation der 48 Präludien und Fugen von J.S. Bach • Detaillierte Einführung in die Analyse • Detaillierte Vorschläge für Interpretation und Aufführungspraxis • Die brühmten 48 Präludien und Fugen |
| ISBN-10 | 3-938095-19-9 / 3938095199 |
| ISBN-13 | 978-3-938095-19-5 / 9783938095195 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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