Flamenco and Bullfighting
McFarland & Co Inc (Verlag)
978-0-7864-9616-7 (ISBN)
Seeing flamenco dance and bullfighting as parallel arts within the same kinesthetic culture, Landborn describes their informal practice in private settings and their emergence as formal rituals in the public bullfight arena and on the flamenco stage.
As Landborn discusses key bullfighting techniques and their sometimes direct, sometimes subtle influence on the flamenco dance style, readers are led to a greater appreciation of both arts and a deeper understanding of Spanish culture and worldview.
Proficient in two genres, flamenco and contemporary modern dance, Adair Landborn is a choreographer, cross-cultural dance scholar, and movement analyst currently teaching at the University of New Mexico at Taos, USA. She offers workshops nationally and internationally on flamenco dance notation and flamenco and bullfighting, and is the artistic director and performs regularly with the Peña Flamenca de Taos. She lives in El Prado, New Mexico, USA.
Table of Contents
Acknowledgments
Preface
Introduction: Kinesthetic Culture
One: Flamenco and Bullfighting: An Ongoing Discussion
Two: Somatic Ethnography
Three: Overlapping Worlds
Four: Ritual and Performance Events
Five: An Aesthetic Topography: Gitanismo, Romanticism and Duende
Six: Movement Repatterning and Culture
Seven: Gaining the Emic Edge
Eight: Movement Analysis
Nine: Movement Parallels: From Structures to Motifs
Ten: Kinesthetic Culture
Appendix 1: Laban Movement Analysis Overview
Appendix 2: Notes on Language Use
Glossary of Spanish Terms
Chapter Notes
Bibliography
Index
Zusatzinfo | 69 photographs & illustrations |
---|---|
Verlagsort | Jefferson, NC |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 415 g |
Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport | |
ISBN-10 | 0-7864-9616-9 / 0786496169 |
ISBN-13 | 978-0-7864-9616-7 / 9780786496167 |
Zustand | Neuware |
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