Brahms: Symphony No. 1
Seiten
1997
Cambridge University Press (Verlag)
978-0-521-47432-0 (ISBN)
Cambridge University Press (Verlag)
978-0-521-47432-0 (ISBN)
In this 1997 book, David Brodbeck examines the controversial status and relationship in the Beethoven tradition of this work. He begins with an account of the genesis and complicated background to the writing of the symphony, before providing a critical reading of the work.
Brahms' First Symphony has been hailed as Beethoven's Tenth. Its controversial status and relationship in the Beethovenian tradition is considered alongside other important issues in the early reception history of this key work in the symphonic repertory. In this 1997 book, David Brodbeck begins with an account of the lengthy genesis and complicated background to the writing of the symphony, before providing a thorough critical reading of the work, movement by movement. In particular, the author reveals a dense web of extra-compositional allusions - references in the music to works by J. S. Bach, Beethoven, Schubert, and Robert Schumann - in which, the author argues, much meaning resides.
Brahms' First Symphony has been hailed as Beethoven's Tenth. Its controversial status and relationship in the Beethovenian tradition is considered alongside other important issues in the early reception history of this key work in the symphonic repertory. In this 1997 book, David Brodbeck begins with an account of the lengthy genesis and complicated background to the writing of the symphony, before providing a thorough critical reading of the work, movement by movement. In particular, the author reveals a dense web of extra-compositional allusions - references in the music to works by J. S. Bach, Beethoven, Schubert, and Robert Schumann - in which, the author argues, much meaning resides.
1. Frustrated efforts; 2. Completion, first performances, and publication; 3. Structure and meaning in the first movement; 4. The middle movements; 5. Structure and meaning in the last movement; 6. Early reception.
| Erscheint lt. Verlag | 23.1.1997 |
|---|---|
| Reihe/Serie | Cambridge Music Handbooks |
| Mitarbeit |
General-Herausgeber: Julian Rushton |
| Zusatzinfo | 21 Printed music items; 4 Tables, unspecified; 3 Halftones, unspecified |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 144 x 223 mm |
| Gewicht | 310 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Instrumentenkunde |
| ISBN-10 | 0-521-47432-9 / 0521474329 |
| ISBN-13 | 978-0-521-47432-0 / 9780521474320 |
| Zustand | Neuware |
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