Tchaikovsky and His World (eBook)

Leslie Kearney (Herausgeber)

eBook Download: PDF

2014
384 Seiten
Princeton University Press (Verlag)
978-1-4008-6488-1 (ISBN)

Infos

Tchaikovsky has long intrigued music-lovers as a figure who straddles many borders--between East and West, nationalism and cosmopolitanism, tradition and innovation, tenderness and bombast, masculine and feminine. In this book, through consideration of his music and biography, scholars from several disciplines explore the many sides of Tchaikovsky. The volume presents for the first time in English some of Tchaikovsky's own writings about music, as well as three influential articles, previously available only in German, from the 1993 Tübingen conference commemorating the centennial of Tchaikovsky's death.Tchaikovsky's distinguished biographer, Alexander Poznansky, reveals new findings from his most recent archival explorations in Kiln, Tchaikovsky's home. Poznansky makes accessible for the first time the full text of perviously censored letters, clarifying issues about the composer's life that until now have remained mere conjecture. Leon Botstein examines the world of realist art that was so influential in Tchaikovsky's day, while Janet Kennedy describes how interpretations of Tchaikovsky's ballet Sleeping Beauty act as a barometer of the aesthetic and even political climate of several generations. Natalia Minibayeva elucidates the First Orchestral Suite as a workshop for Tchaikovsky's composition of large-scale works, including symphony, opera, and ballet, while Susanne Dammann discusses the problematic Fourth Symphony as a work perfectly poised between East and West. Arkadii Klimovitsky considers Tchaikovsky's role as a link between Russia's Golden and Silver Ages. The extensive interaction between music and literature in this period forms the basis for Rosamund Bartlett's essay on creative parallels between Tchaikovsky and Chekhov. Richard Wortman describes the political climate at the end of Tchaikovsky's life, including Alexander III's mania for re-creating seventeenth-century Russian culture. Caryl Emerson, Kadja Grönke, and Leslie Kearney examine a number of issues raised by Tchaikovsky's operas. Marina Kostalevsky translates Nikolai Kashkin's 1899 review of Tchaikovsky's controversial opera Orleanskaia Deva (The Maid of Orleans).The book concludes with examples of theoretical writing by Tchaikovsky and Rimsky-Korsakov, authors of Russia's first two systematic books on music theory. Lyle Neff translates and provides commentary on compositional issues that Tchaikovsky discusses in personal correspondence, as well as Rimsky-Korsakov's analysis of his own opera Snegurochka (The Snow Maiden). Tchaikovsky and His World will change how we understand the life, works, and intellectual milieu of one of the most important and beloved composers of the nineteenth century.Originally published in 1998.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Produkt-Details

• Erscheint lt. Verlag: 14.7.2014
• Reihe/Serie: Princeton Legacy Library
• Reihe/Serie: Princeton Legacy Library
• Reihe/Serie: The Bard Music Festival
• Reihe/Serie: The Bard Music Festival
• Verlagsort: Princeton
• Sprache: englisch
• Themenwelt: Kunst / Musik / Theater ► Musik ► Musikgeschichte
• Themenwelt: Geisteswissenschaften ► Geschichte
• Schlagworte: absolute music • Alexandre Benois • A Life for the Tsar • American Musicological Society • Andrei Bely • Anton Chekhov • Anton Rubinstein • At the Circus • Ballade (classical music) • Ballet • Beethoven Symphonies (Liszt) • Boris Godunov • Boris Godunov (opera) • Carnegie Hall • Charles Gounod • classical ballet • Composer • Davydov • Dmitri Shostakovich • D. S. Mirsky • Eugene Onegin (opera) • Fatum (Tchaikovsky) • Felix Mendelssohn • Franz Liszt • french ballet • George Balanchine • God Save the Tsar! • Grand opera • Hunnenschlacht (Liszt) • Igor Stravinsky • Intermezzo • Intermezzo (opera) • Ivan Kramskoi • Konstantin Somov • La Scala • Leoš Janácek • Libretto • Love and Death • Ludwig van Beethoven • Mariinsky Theatre • Mikhail Bakhtin • Mikhail Kuzmin • Mir iskusstva • Modernism (music) • Modest Mussorgsky • Moscow Ballet (United States) • Mstislav Dobuzhinsky • musical composition • Music Criticism • Music History • Music Is • musicology • music theory • Nicholas and Alexandra • Nicholas II of Russia • Nikolai Gogol • Nikolai Rubinstein • Nikolai Zverev • Onegin (Cranko) • Opera • orchestra • Orchestral works • Osip Mandelstam • paris opera • Pavel Fedotov • peredvizhniki • Petrushka (ballet) • Piano-vocal score • Polonaise • Polovtsian Dances • Private Opera • Program music • pyotr ilyich tchaikovsky • Richard Taruskin • Richard Wagner • Romanticism • Rubinstein • Russian culture • Russian Literature • Russian Musical Society • Russian opera • Russian Soul • Russian symbolism • Scratch Orchestra • Serenade for Strings (Tchaikovsky) • sergei diaghilev • Sergei Taneyev • Suite (music) • Symphonic Poem • Symphony No. 5 (Beethoven) • Symphony No. 6 (Tchaikovsky) • The Maid of Orleans (opera) • The Queen of Spades (opera) • The Soloist • Tikhvin Cemetery • Tonic (music) • Tristan und Isolde • Vsevolod Meyerhold • Wagnerism • Waltz
• ISBN-10: 1-4008-6488-7 / 1400864887
• ISBN-13: 978-1-4008-6488-1 / 9781400864881