The Making of Liturgy in the Ottonian Church
Books, Music and Ritual in Mainz, 950–1050
Seiten
2015
Cambridge University Press (Verlag)
978-1-107-08302-8 (ISBN)
Cambridge University Press (Verlag)
978-1-107-08302-8 (ISBN)
This highly original study explores the religious life of early medieval Germany through its ritual books. Interdisciplinary in perspective, it sheds light on the histories of important manuscripts from the city of Mainz, challenging long-held assumptions about the ritual traditions and political dynamics of the Ottonian Church.
This highly original study examines the history and religious life of the Ottonian Church through its ritual books. With forensic attention to the writing and design of four important manuscripts from the city of Mainz - a musician's troper, a priest's ritual handbook, a bishop's pontifical and a copy of the enigmatic compilation now known as the 'Romano-German Pontifical' - Henry Parkes transforms liturgical sources into eloquent witnesses to the ecclesiastical history of early medieval Germany. He also presents the first comprehensive revision of Michel Andrieu's influential 'Romano-German Pontifical' theory, from the dual perspective of Mainz's cathedral of St Martin and its Benedictine monastery of St Alban. Challenging long-held assumptions about the geographies of Ottonian power, in particular the central role of Mainz and its archbishops, the book opens up important new ways of understanding how religious ritual was organised, transmitted and perceived.
This highly original study examines the history and religious life of the Ottonian Church through its ritual books. With forensic attention to the writing and design of four important manuscripts from the city of Mainz - a musician's troper, a priest's ritual handbook, a bishop's pontifical and a copy of the enigmatic compilation now known as the 'Romano-German Pontifical' - Henry Parkes transforms liturgical sources into eloquent witnesses to the ecclesiastical history of early medieval Germany. He also presents the first comprehensive revision of Michel Andrieu's influential 'Romano-German Pontifical' theory, from the dual perspective of Mainz's cathedral of St Martin and its Benedictine monastery of St Alban. Challenging long-held assumptions about the geographies of Ottonian power, in particular the central role of Mainz and its archbishops, the book opens up important new ways of understanding how religious ritual was organised, transmitted and perceived.
Henry Parkes is Assistant Professor of Music at the Institute of Sacred Music and Department of Music at Yale University, Connecticut.
Introduction: making liturgy; Part I. A Troper: 1. Recording music in the tenth century; 2. The historical import of a 'troper'; Part II. A Ritual Handbook: 3. The contested identity of Vienna, ÖNB, Cod. 1888; 4. Intermingled song; Part III. Episcopal Liturgy: 5. Itinerant ritual; 6. The nascent 'pontifical'; Part IV. The Romano-German Pontifical: 7. The PRG in Mainz; Conclusion: disentangling liturgy; Bibliography; Index.
| Erscheint lt. Verlag | 15.1.2015 |
|---|---|
| Reihe/Serie | Cambridge Studies in Medieval Life and Thought: Fourth Series |
| Zusatzinfo | 8 Tables, black and white; 2 Maps; 4 Halftones, unspecified; 4 Halftones, black and white |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 152 x 231 mm |
| Gewicht | 590 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| Geschichte ► Allgemeine Geschichte ► Mittelalter | |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Geschichte ► Teilgebiete der Geschichte ► Religionsgeschichte | |
| Religion / Theologie ► Christentum ► Kirchengeschichte | |
| ISBN-10 | 1-107-08302-8 / 1107083028 |
| ISBN-13 | 978-1-107-08302-8 / 9781107083028 |
| Zustand | Neuware |
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