Networks of Sound, Style and Subversion
The Punk and Post–Punk Worlds of Manchester, London, Liverpool and Sheffield, 1975–80
Seiten
2015
Manchester University Press (Verlag)
978-0-7190-8865-0 (ISBN)
Manchester University Press (Verlag)
978-0-7190-8865-0 (ISBN)
This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation'
This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of ‘critical mass’, ‘social networks’ and ‘music worlds’, and using sophisticated techniques of ‘social network analysis’, it teases out the events and mechanisms involved in punk’s ‘micro-mobilisation’, its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of ‘music worlds’.
Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact. -- .
This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of ‘critical mass’, ‘social networks’ and ‘music worlds’, and using sophisticated techniques of ‘social network analysis’, it teases out the events and mechanisms involved in punk’s ‘micro-mobilisation’, its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of ‘music worlds’.
Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact. -- .
Nick Crossley is Professor of Sociology at the University of Manchester -- .
1 Introduction
2 Music worlds
3 Explaining punk: a review of existing accounts
4 Theorising micro-mobilisation: critical mass, collective effervescence, social networks and social space
5 Micro-mobilisation and the network structure of the London punk world
6 The evolution of the London network
7 Punk goes national: broadcast networks, media and moral panic
8 From Punk to post-punk: a tale of three cities
9 Joining the dots: post-punk worlds as networks
10 The small world of British post-punk
11 Conclusion
Index -- .
| Erscheint lt. Verlag | 1.2.2015 |
|---|---|
| Reihe/Serie | Music and Society |
| Zusatzinfo | Tables, black & white|Line drawings, black & white |
| Verlagsort | Manchester |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 399 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Pop / Rock |
| ISBN-10 | 0-7190-8865-8 / 0719088658 |
| ISBN-13 | 978-0-7190-8865-0 / 9780719088650 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Westdeutschlands Reise von Jazz und Schlager zu Krautrock und darüber …
Buch | Softcover (2024)
Halvmall (Verlag)
CHF 38,90
