Nicht aus der Schweiz? Besuchen Sie lehmanns.de
Sound and Recording - Francis Rumsey, Tim McCormick

Sound and Recording

Applications and Theory
Buch | Softcover
660 Seiten
2014 | 7th New edition
Focal Press (Verlag)
978-0-415-84337-9 (ISBN)
CHF 114,00 inkl. MwSt
zur Neuauflage
  • Titel erscheint in neuer Auflage
  • Artikel merken
Zu diesem Artikel existiert eine Nachauflage
Providing vital reading for audio students and trainee engineers, this guide is ideal for anyone who wants a solid grounding in both theory and industry practices in audio, sound and recording. There are many books on the market covering "how to work it" when it comes to audio equipment—but Sound and Recording isn’t one of them. Instead, you’ll gain an understanding of "how it works" with this approachable guide to audio systems.


New to this edition:








Digital audio section revised substantially to include the latest developments in audio networking (e.g. RAVENNA, AES X-192, AVB), high-resolution surround and parametric audio coding, workstation processing technology, mastering for iTunes, and loudness normalization







Coverage of immersive audio systems such as Dolby Atmos, Auro 3D and WFS along with recent developments in audio object coding







Sections on digital radio microphones, loudspeaker sensitivity issues and development, and highly directional loudspeaker systems







Substantial new sections on recent developments in audio network device discovery and control and the Open Control Architecture

Francis Rumsey is Consultant Editor and Technical Writer for the Journal of the Audio Engineering Society, and runs his own consultancy company, Logophon Ltd. Until 2009 he was a Professor at the University of Surrey (UK), specialising in audio engineering and psychoacoustics. He is chair of the AES Technical Council, a Fellow of the AES, and a busy organist. Tim McCormick is a former Deputy Head of sound at the Royal Exchange Theatre in Manchester (UK), has extensive experience in design and manufacture of audio electronics, and has worked at Klark Teknik and with the RSC at Stratford (UK) where he plotted and operated the sound for many shows as well as designing and building audio equipment when the need arose. Also interested in medieval architecture, The Cathedrals, Abbeys and Priories of Wales was published on 2010.

Fact File Directory


Preface to the Second Edition


Preface to the Third Edition


Preface to the Fourth Edition


Preface to the Fifth Edition


Preface to the Sixth Edition


Preface to the Seventh Edition


Chapter 1: What is Sound?


Chapter 2: Auditory Perception


Chapter 3: Microphones


Chapter 4: Loudspeakers


Chapter 5: Mixers


Chapter 6: Analog Recording


Chapter 7: Noise Reduction


Chapter 8: Digital Audio Principles


Chapter 9: Digital Recording, Editing and Mastering Systems


Chapter 10: Digital Audio Formats and Interchange


Chapter 11: Power Amplifiers


Chapter 12: Lines and Interconnection


Chapter 13: Plug-ins and Outboard Equipment


Chapter 14: MIDI and Remote Control


Chapter 15: Synchronization


Chapter 16: Two-Channel Stereo


Chapter 17: Surround Sound


Chapter 18: Sound Quality


Appendix: Record Players


Glossary of Terms


General Further Reading


Index

Reihe/Serie Audio Engineering Society Presents
Zusatzinfo 404 Halftones, black and white; 28 Tables, black and white
Verlagsort Abingdon
Sprache englisch
Maße 191 x 235 mm
Gewicht 1452 g
Themenwelt Kunst / Musik / Theater Musik
Mathematik / Informatik Informatik
Technik Elektrotechnik / Energietechnik
ISBN-10 0-415-84337-5 / 0415843375
ISBN-13 978-0-415-84337-9 / 9780415843379
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich

von Blake Neely; Oliver Fehn

Buch | Softcover (2024)
Wiley-VCH (Verlag)
CHF 27,95