Psychoanalysis and Ethics in Documentary Film
Seiten
2013
Routledge (Verlag)
978-0-415-81349-5 (ISBN)
Routledge (Verlag)
978-0-415-81349-5 (ISBN)
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This distinctively interdisciplinary approach to the subject offers a unique insight into documentary film practice from a psychoanalytic perspective.
This distinctively interdisciplinary approach to the subject encompasses filmmaking, psychoanalysis, philosophy and popular culture and offers a unique insight into documentary film practice from a psychoanalytic perspective. At the heart of the enquiry is belief that ‘transference-love’ is present in the documentary encounter. With a focus on testimony-driven film and a foreword by Michael Renov, who calls this book 'a radical and compelling account', Psychoanalysis and Ethics in Documentary Film covers a range of topics including:
Four fundamental concepts of psychoanalysis and documentary film
A review of documentary film practice
A personal account of the author’s relationship with a subject of her own work
A thorough interrogation of the ethics of documentary
Ideal for film studies scholars, psychoanalysts, psychotherapists and psychotherapeutically engaged professionals, as well as filmmakers, culture studies students and anyone interested in the process of documentary-making and contemporary culture, this work offers a unique approach.
This distinctively interdisciplinary approach to the subject encompasses filmmaking, psychoanalysis, philosophy and popular culture and offers a unique insight into documentary film practice from a psychoanalytic perspective. At the heart of the enquiry is belief that ‘transference-love’ is present in the documentary encounter. With a focus on testimony-driven film and a foreword by Michael Renov, who calls this book 'a radical and compelling account', Psychoanalysis and Ethics in Documentary Film covers a range of topics including:
Four fundamental concepts of psychoanalysis and documentary film
A review of documentary film practice
A personal account of the author’s relationship with a subject of her own work
A thorough interrogation of the ethics of documentary
Ideal for film studies scholars, psychoanalysts, psychotherapists and psychotherapeutically engaged professionals, as well as filmmakers, culture studies students and anyone interested in the process of documentary-making and contemporary culture, this work offers a unique approach.
Agnieszka Piotrowska is an internationally recognized award-winning filmmaker, best known for her documentary Married to the Eiffel Tower. She was awarded a PhD from Birkbeck College, University of London, and is Senior Lecturer in Media Arts at the University of Bedfordshire.
Four Fundamental Concepts of Psychoanalysis and Documentary Film. Documentary Film – A Discourse of Desire. Documentary as Interpellation. The Conman and I – A Study in Transference. The Ethics of Documentary. The Ethics – What Ethics?. The Horror of the Doppelganger.
| Erscheint lt. Verlag | 23.9.2013 |
|---|---|
| Zusatzinfo | 1 Line drawings, black and white; 10 Halftones, black and white; 11 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 442 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geisteswissenschaften ► Psychologie ► Psychoanalyse / Tiefenpsychologie | |
| Sozialwissenschaften ► Kommunikation / Medien | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 0-415-81349-2 / 0415813492 |
| ISBN-13 | 978-0-415-81349-5 / 9780415813495 |
| Zustand | Neuware |
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