Trad Dads, Dirty Boppers and Free Fusioneers
Equinox Publishing Ltd (Verlag)
978-1-84553-405-9 (ISBN)
- Titel ist leider vergriffen;
keine Neuauflage - Artikel merken
The 1960's was a decade of major transformation in British Jazz and, of course, in British popular music in general. The British Jazz scene had been, arguably, the first outside America to assert its independence. At first slowly but with gathering speed, it began to define an identity that drew increasingly on sources from within its own culture, as well as those from African-American jazz, and from its shared European cultural heritage. This process would in itself prove highly influential, as French, Italian, German and Scandinavian scenes began to follow suit. The nature of Jazz, its scope and potential were re-examined and reformulated in this period with important implications for its musicians and its audience. But the external forces acting upon the UK Jazz scene were both global and local in origin. On the one hand, Jazz was not immune from the economic, social and cultural changes that occurred following the Second World War and which continued apace in the 1960's. Its development was both affected by and reflected those changes and the new ways of thinking and acting that arose from them.
On the other hand, wider global economic and political changes, in particular in America, would continue to have a major impact on British Jazz. For these reasons, any history of British Jazz in the 1960's must seek to explain these trends and describe which were global and which were local in origin. It must show how forces outside the music acted upon it and both created and limited its potential for development. But it must also define the personalities, as well as the context in which they functioned. Jazz is made by its musicians and is ultimately changed by them. What were the records that they made which defined the era? From where did their inspiration arise? And how did their audience respond? Trad Dads, Dirty Boppers and Free Fusioneers follows a number of themes - class, education, drugs and addictions, relationships with Rock and Blues, race and immigration, gender issues, the arts, politics and that sixties buzzword, 'freedom'. In doing so, the book challenges many conventional understandings of British Jazz and its scene. This is the definitive history of British Jazz - and the context in which it was defined - the 1960s.
Duncan Heining has has been writing about jazz, improvised music and 20th century composition since 1996. He has written for Avant Magazine, Record Collector, The Independent and The Independent On Sunday. His main outlets currently are Jazzwise, Jazz UK and the All About Jazz website. In 2010, Scarecrow Press published his biography of African-American composer and musical theorist George Russell, George Russell - An American Composer.
Introduction Chapter 1 - Ancients and Moderns Chapter 2 - Class will out! Chapter 3 - Education, Education, Education Chapter 4 - Coming Of Age In Soho Chapter 5 - Can't Stop The Rock Chapter 6 - The Brain Drain Chapter 7 - One Scotch, One Bourbon, One Beer Chapter 8 - Rivers Of Babylon, Rivers Of Blood Chapter 9 - A Race Apart Chapter 10 - Sisters Of Swing, Brothers In Arms Chapter 11 - The Best Things In Life Are Free Chapter 12 - The Artsman Cometh or Things May Come And Things May Go But The Arts Council Grant Goes On Forever Chapter 13 - Lutte Ouvriere Chapter 14 - La Luta Continua Conclusion - So What! Is It All About Alfie?
| Erscheint lt. Verlag | 12.12.2012 |
|---|---|
| Reihe/Serie | Popular Music History |
| Zusatzinfo | 18 black and white photos |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Jazz / Blues |
| ISBN-10 | 1-84553-405-0 / 1845534050 |
| ISBN-13 | 978-1-84553-405-9 / 9781845534059 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
aus dem Bereich
