Hearing Form - Textbook and Anthology Pack
Musical Analysis With and Without the Score
Seiten
2010
Routledge
978-0-415-87263-8 (ISBN)
Routledge
978-0-415-87263-8 (ISBN)
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Suitable for upper-level undergraduate college courses on the analysis of musical forms, this textbook reviews concepts such as score reading, instrumental transposition, cadences, phrase structure, harmonic sequences, and modulation. It teaches students to: identify phrase endings and cadence types in music with or without a score.
Hearing Form is a textbook/workbook for upper-level undergraduate college courses on the analysis of musical form. It reviews concepts such as score reading, instrumental transposition, cadences, phrase structure, harmonic sequences, and modulation while at the same time introducing a style of phrase diagramming and an approach to hearing without the score that is used consistently throughout the book. The goal of this book is to teach students to:
Identify phrase endings and cadence types in music with or without a score
Identify harmonic sequence types in music with or without a score
Identify modulations in music with or without a score
Identify formal sections in music with or without a score
Identify musical forms with or without a score
The companion website provides recordings for selected pieces in the anthology.
Hearing Form is a textbook/workbook for upper-level undergraduate college courses on the analysis of musical form. It reviews concepts such as score reading, instrumental transposition, cadences, phrase structure, harmonic sequences, and modulation while at the same time introducing a style of phrase diagramming and an approach to hearing without the score that is used consistently throughout the book. The goal of this book is to teach students to:
Identify phrase endings and cadence types in music with or without a score
Identify harmonic sequence types in music with or without a score
Identify modulations in music with or without a score
Identify formal sections in music with or without a score
Identify musical forms with or without a score
The companion website provides recordings for selected pieces in the anthology.
Matthew Santa is an Associate Professor of Music Theory at Texas Tech University. He has presented papers on music theory and analysis throughout the United States as well as abroad, and his articles have been published in the journals Theory and Practice, Music Theory Spectrum, Music Analysis, and The Annual Review of Jazz Studies.
Preface 1. Phrases and Cadences 2. Phrase Organization 3. One-Part, Binary, and Ternary Forms 4. Sonata Forms 5. Variation Forms 6. Imitative Forms 7. Concerto Forms 8. Rondo Forms Appendix 1. Formal Models Appendix 2. Making a Phrase Diagram Appendix 3. Reading a Transposing Score Appendix 4. Notes on the Audio Examples Bibliography
| Erscheint lt. Verlag | 11.2.2010 |
|---|---|
| Zusatzinfo | Following Sarath Music Theory Through Improvisation; 105 Line drawings, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 216 x 279 mm |
| Gewicht | 1474 g |
| Themenwelt | Kunst / Musik / Theater ► Musik |
| ISBN-10 | 0-415-87263-4 / 0415872634 |
| ISBN-13 | 978-0-415-87263-8 / 9780415872638 |
| Zustand | Neuware |
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