The Social History of Roman Art
Seiten
2008
Cambridge University Press (Verlag)
978-0-521-81632-8 (ISBN)
Cambridge University Press (Verlag)
978-0-521-81632-8 (ISBN)
More than ever before, students and scholars of the classical world use Roman images and wish to understand them. Using selected examples and themes, Stewart provides an introduction to the study of ancient Roman art in its social context and explains how and why Roman art was made and used.
The character of Roman art history has changed in recent years. More than ever before, it is concerned with the role of art in ancient society, including the functions that it served and the values and assumptions that it reflects. At the same time, images have become centrally important to the study of ancient history in general. This book offers a, critical introduction to Roman art against the background of these developments. Focusing on selected examples and themes, it sets the images in context, explains how they have been interpreted, and explodes some of the modern myths that surround them. It also explores some of the problems and contradictions that we face when we try to deal with ancient art in this manner. From wall-paintings to statues, from coins to the gravestones, this is a lucid and often provocative appraisal of the world of Roman images.
The character of Roman art history has changed in recent years. More than ever before, it is concerned with the role of art in ancient society, including the functions that it served and the values and assumptions that it reflects. At the same time, images have become centrally important to the study of ancient history in general. This book offers a, critical introduction to Roman art against the background of these developments. Focusing on selected examples and themes, it sets the images in context, explains how they have been interpreted, and explodes some of the modern myths that surround them. It also explores some of the problems and contradictions that we face when we try to deal with ancient art in this manner. From wall-paintings to statues, from coins to the gravestones, this is a lucid and often provocative appraisal of the world of Roman images.
Peter Stewart is Senior Lecturer in Classical Art and its Heritage at the Courtauld Institute of Art, London. His previous publications include Statues in Roman Society: Representation and Response (2003) and Roman Art (2004).
Introduction; 1. Who made Roman art?; 2. Identity and status; 3. Portraits in society; 4. The power of images; 5. Art of the empire.
| Erscheint lt. Verlag | 29.5.2008 |
|---|---|
| Reihe/Serie | Key Themes in Ancient History |
| Zusatzinfo | 43 Halftones, unspecified |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 156 x 233 mm |
| Gewicht | 470 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| Geschichte ► Teilgebiete der Geschichte ► Sozialgeschichte | |
| ISBN-10 | 0-521-81632-7 / 0521816327 |
| ISBN-13 | 978-0-521-81632-8 / 9780521816328 |
| Zustand | Neuware |
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