What Musicking Affords
Musical Performance and the Post-cognitivist Turn
Seiten
2025
Cambridge University Press (Verlag)
978-1-009-51715-7 (ISBN)
Cambridge University Press (Verlag)
978-1-009-51715-7 (ISBN)
- Noch nicht erschienen (ca. Februar 2025)
- Versandkostenfrei
- Auch auf Rechnung
- Artikel merken
This Element explores embodied, embedded, extended, and enactive cognition, challenging computational approaches. It draws from paradigms like enactive cognition, cybernetic and systems-theoretical approaches, phenomenological perspectives, Gibson's affordances theory, and multi-instrumentalist practice to understand music performance.
The last three decades of work in cognitive science have challenged the idea that thinking occurs entirely in the head, claiming instead that cognition is embodied, embedded, extended, and enactive. The claims of 4E cognition challenge the dominance of computational approaches to cognition, and music scholars have explored Gibson's notion of affordances to propose a new understanding of musical performance as primarily grounded in action. This Element draws from paradigms such as enactive cognition, cybernetic and systems-theoretical approaches, phenomenological perspectives on practice, Gibson's theory of affordances, and aspects of the author's own practice as a multi-instrumentalist to consider cases of how the interface between musician and instrument influences performance.
The last three decades of work in cognitive science have challenged the idea that thinking occurs entirely in the head, claiming instead that cognition is embodied, embedded, extended, and enactive. The claims of 4E cognition challenge the dominance of computational approaches to cognition, and music scholars have explored Gibson's notion of affordances to propose a new understanding of musical performance as primarily grounded in action. This Element draws from paradigms such as enactive cognition, cybernetic and systems-theoretical approaches, phenomenological perspectives on practice, Gibson's theory of affordances, and aspects of the author's own practice as a multi-instrumentalist to consider cases of how the interface between musician and instrument influences performance.
1. Introduction; 2. The turn to embodiment; 3. The systems-theoretical turn (Cybernetics 101); 4. The phenomenological turn; 5. The turn to practice; Conclusion; References.
| Erscheint lt. Verlag | 28.2.2025 |
|---|---|
| Reihe/Serie | Elements in Twenty-First Century Music Practice |
| Zusatzinfo | Worked examples or Exercises |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
| Geisteswissenschaften ► Psychologie ► Allgemeine Psychologie | |
| Geisteswissenschaften ► Psychologie ► Verhaltenstherapie | |
| ISBN-10 | 1-009-51715-5 / 1009517155 |
| ISBN-13 | 978-1-009-51715-7 / 9781009517157 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Grundbegriffe, Harmonik, Formen, Instrumente
Buch | Softcover (2021)
Philipp Reclam (Verlag)
CHF 12,90
