Wound Man
The Many Lives of a Surgical Image
Seiten
2025
Princeton University Press (Verlag)
978-0-691-24348-1 (ISBN)
Princeton University Press (Verlag)
978-0-691-24348-1 (ISBN)
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A spectacularly illustrated history of an enigmatic medieval diagram
The Wound Man—a medical diagram depicting a figure fantastically pierced by weapons and ravaged by injuries and diseases—was reproduced widely across the medieval and early modern globe. In this panoramic book, Jack Hartnell charts the emergence and endurance of this striking image used as a visual guide to the treatment of many ailments, taking readers on a remarkable journey from medieval Europe to eighteenth-century Japan and explaining why the Wound Man continues to intrigue us today.
Drawing on a wealth of original research, Hartnell traces the many lives of the Wound Man, from its origins in late medieval Bohemia to its vivid reincarnations in hundreds of manuscripts and printed books over more than three hundred years. Transporting readers beyond the specifics of bodily injury, Hartnell demonstrates how the Wound Man’s body was at once an encyclopedic repository of surgical knowledge, a fantastic literary and religious muse, a catalyst for shifting media landscapes, and a cross-cultural artistic feat that reached diverse audiences around the world. The Wound Man, we discover, held profound importance for scribes, students, printmakers, poets, nuns, monks, and both healers and patients alike.
Marvelously illustrated, Wound Man sheds light on the entwined histories of art and medicine, showing how premodern medical diagrams represent a unique site of contact between sickness and cure, suffering and sanctity, and painting and print.
The Wound Man—a medical diagram depicting a figure fantastically pierced by weapons and ravaged by injuries and diseases—was reproduced widely across the medieval and early modern globe. In this panoramic book, Jack Hartnell charts the emergence and endurance of this striking image used as a visual guide to the treatment of many ailments, taking readers on a remarkable journey from medieval Europe to eighteenth-century Japan and explaining why the Wound Man continues to intrigue us today.
Drawing on a wealth of original research, Hartnell traces the many lives of the Wound Man, from its origins in late medieval Bohemia to its vivid reincarnations in hundreds of manuscripts and printed books over more than three hundred years. Transporting readers beyond the specifics of bodily injury, Hartnell demonstrates how the Wound Man’s body was at once an encyclopedic repository of surgical knowledge, a fantastic literary and religious muse, a catalyst for shifting media landscapes, and a cross-cultural artistic feat that reached diverse audiences around the world. The Wound Man, we discover, held profound importance for scribes, students, printmakers, poets, nuns, monks, and both healers and patients alike.
Marvelously illustrated, Wound Man sheds light on the entwined histories of art and medicine, showing how premodern medical diagrams represent a unique site of contact between sickness and cure, suffering and sanctity, and painting and print.
Jack Hartnell is Associate Professor of Art History in the Department of Art History & World Art Studies at the University of East Anglia. He is the author of Medieval Bodies: Life, Death, and Art in the Middle Ages.
Erscheint lt. Verlag | 19.8.2025 |
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Zusatzinfo | 192 color + 3 b/w illus. |
Verlagsort | New Jersey |
Sprache | englisch |
Maße | 178 x 254 mm |
Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
Studium ► Querschnittsbereiche ► Geschichte / Ethik der Medizin | |
ISBN-10 | 0-691-24348-4 / 0691243484 |
ISBN-13 | 978-0-691-24348-1 / 9780691243481 |
Zustand | Neuware |
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