Slags on Stage
Routledge (Verlag)
978-0-367-41710-9 (ISBN)
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Slags on Stage weaves cultural analysis with poetry and art criticism to explore the concept of the ‘slag’ and its place in contemporary British–English culture.
The book traces the etymology of the word slag through the twentieth and into the twenty-first century, thinking through the ways ‘slag’ speaks to issues of class, sex and desire. Broadly, slag is an insult bound up with women’s sexual reputations – but beyond this it is a ‘key’ word that shapes how we debate and understand culture. For women coming-of-age in the United Kingdom in the late twentieth and early twenty-first centuries ‘slag’ produces complex feelings and has influenced how we have come to know ourselves and understand our sexual and quotidian desires. This book explores the terrain of slag and includes analyses of artworks by artists who have invoked the slag in their practice, such as Tracey Emin, Cash Carraway and Michaela Coel. Covering the cultural politics of clothing, motherhood, television representations, sexual assault, sex work and desire, Slags on Stage asks: what role does the ‘slag’ play in British culture? Who is she for? And how have women used sex and sexuality to have their own say in cultures that want to control them?
This is a fascinating exploration for students and scholars of British drama, theatre and performance, cultural studies and sociology.
Katie Beswick is a writer and academic. She is Programme Director for the BA Arts Management at Goldsmiths, University of London, UK.
Affect and Synasthesia: An Introduction
Part One. Cultures of slag
1. Class, Sex, Desire
2. You Slag — Vulnerability, Interpellation and Twentieth Century Womanhood
3. The Slag, The Bitch and the Wardrobe — The Slag and Pleasure in Popular Culture
Part Two. Slaggy art
4. Tracey Emin. Slaggy Endurance in Why I never Became a Dancer
5. Kelly Green. Abject Heterosexuality in CHAV and SLAG
6. Cash Carraway. Mistrust and Difficulty in Skint Estate and Refuge Woman
7. Michaela Coel. Recognition and Class Solidarity in I May Destroy You and Chewing Gum Dreams
8. Eirini Kartsaki. Weirding the Slag in Herpes
What Women Want: A (kind of) Conclusion
| Erscheint lt. Verlag | 31.3.2025 |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| Geisteswissenschaften ► Geschichte | |
| Sozialwissenschaften | |
| ISBN-10 | 0-367-41710-3 / 0367417103 |
| ISBN-13 | 978-0-367-41710-9 / 9780367417109 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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