Culture in Exile
Springer International Publishing (Verlag)
978-3-031-61882-6 (ISBN)
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This edited book breaks new ground by bringing together research on inner and territorial exile in the context of National Socialism in Germany and the Franco regime in Spain, and in proposing an integrated model of exilic cultural production. Original contributions explore previously neglected aspects of the inner and territorial exile cultures, focusing on the specificity of the national settings (including Catalonia) whilst also seeking to place research findings within a conceptual framework of exile which views the experiences and cultural manifestations of inner and territorial exiles not as polar opposites, but as interactions of response to fascist dictatorship. This book will be of interest to scholars and students of German Studies, Hispanic Studies, comparative literary and cultural studies, and modern history more broadly.
William Dodd is Emeritus Professor of Modern German Studies at the University of Birmingham, UK. His research focuses on German inner exile writing and the morphology of exile. Elisenda Marcer is Lecturer in Catalan Studies at the University of Birmingham, UK.
Chapter One: Introduction (William Dodd/ Elisenda Marcer).- Chapter Two: The exile polyhedron or an experience of defeat (Jordi Gracia).- Chapter Three: The Cold War and German Inner Emigration (Stephen Brockmann).- Chapter Four: Visual representations of exile, with special reference to Catalonia (Elisenda Marcer).- Chapter Five: Visual representations of exile in Germany (Jutta Vinzent).- Chapter Six: Reputations (William Dodd).- Chapter Seven: Fractured Families and the Emotions of Exile (Tara Windsor).- Chapter Eight: Re-establishing intellectual networks through letter writing in exile (Monica Jato).- Chapter Nine: Translation as rePlection of the condition of inner exile (Jennifer Arnold).- Chapter Ten: Literary explorations of the past in outer and inner exile: Heinrich Mann and Werner Bergengruen (John Klapper).- Chapter Eleven: Unhomely/Haunted stages: repetition, surrogation, reenactment and repertoire in the theatre(s)of exile (Helena Buffery).- Chapter Twelve: Subtle resistance. An exploration of female dissident gestures in Xohana Torres's Adiós María and Irmgard Keun's Nach Mitternacht (Pilar González).
| Erscheint lt. Verlag | 10.1.2025 |
|---|---|
| Zusatzinfo | VIII, 239 p. 2 illus. |
| Verlagsort | Cham |
| Sprache | englisch |
| Maße | 148 x 210 mm |
| Themenwelt | Schulbuch / Wörterbuch ► Wörterbuch / Fremdsprachen |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Sprachwissenschaft | |
| Schlagworte | Catalonia • Comparative Cultural Studies • disaporic literatures • exile • Fascism • Francoist Spain • German Studies • Hispanic Studies • inner exile • National Socialism • Nazi Germany • outer exile |
| ISBN-10 | 3-031-61882-3 / 3031618823 |
| ISBN-13 | 978-3-031-61882-6 / 9783031618826 |
| Zustand | Neuware |
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