Empire of Culture
Neo-Victorian Narratives in the Global Creative Economy
Seiten
2024
State University of New York Press (Verlag)
978-1-4384-9827-0 (ISBN)
State University of New York Press (Verlag)
978-1-4384-9827-0 (ISBN)
Shows how Britain's trans-imperial engagements in the long nineteenth century have come to shape global cultural commodity flows today.
Empire of Culture brings together contemporary representations of Victorian Britain to reveal how the nation's imperial past inheres in the ways post-imperial subjects commodify and consume "culture" in the late twentieth and early twenty-first centuries. The globalization of English literature, along with British forms of dress, etiquette, and dining, in the nineteenth century presumed and produced the idea that British culture is a universal standard to which everyone should aspire. Examining neo-Victorian texts and practices from Britain, the United States, Japan, and Singapore—from A. S. Byatt's novel Possession and its Hollywood film adaptation to Japanese Lolita fashion and the Lady Victorian manga series—Waiyee Loh argues that the British heritage industry thrives on the persistence of this idea. Yet this industry also competes and collaborates with the US and Japanese cultural industries, as they, too, engage with the legacy of British universalism to carve out their own empires in a global creative economy. Unique in its scope, Empire of Culture centers Britain's engagements with the US and East Asia to illuminate fresh axes of influence and appropriation, and further bring Victorian studies into contact with various sites of literary and cultural fandom.
Empire of Culture brings together contemporary representations of Victorian Britain to reveal how the nation's imperial past inheres in the ways post-imperial subjects commodify and consume "culture" in the late twentieth and early twenty-first centuries. The globalization of English literature, along with British forms of dress, etiquette, and dining, in the nineteenth century presumed and produced the idea that British culture is a universal standard to which everyone should aspire. Examining neo-Victorian texts and practices from Britain, the United States, Japan, and Singapore—from A. S. Byatt's novel Possession and its Hollywood film adaptation to Japanese Lolita fashion and the Lady Victorian manga series—Waiyee Loh argues that the British heritage industry thrives on the persistence of this idea. Yet this industry also competes and collaborates with the US and Japanese cultural industries, as they, too, engage with the legacy of British universalism to carve out their own empires in a global creative economy. Unique in its scope, Empire of Culture centers Britain's engagements with the US and East Asia to illuminate fresh axes of influence and appropriation, and further bring Victorian studies into contact with various sites of literary and cultural fandom.
Waiyee Loh is Associate Professor of World Literature at Kanagawa University, Japan.
List of Illustrations
Timeline of Major Historical Events
Acknowledgments
Note on Japanese Names and Translations
Introduction
Part I
1. Who Owns the Victorians?
2. All in the Anglo-American Family
Part II
3. Japanese Tourists in Victorian Britain
4. Empire of Cool
Part III
5. Becoming "Victorian"
Conclusion
Notes
Works Cited
Index
| Erscheinungsdatum | 23.04.2024 |
|---|---|
| Reihe/Serie | SUNY series, Studies in the Long Nineteenth Century |
| Zusatzinfo | Total Illustrations: 17 |
| Verlagsort | Albany, NY |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 227 g |
| Themenwelt | Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-4384-9827-6 / 1438498276 |
| ISBN-13 | 978-1-4384-9827-0 / 9781438498270 |
| Zustand | Neuware |
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