The Audiovisual Chord
Palgrave Macmillan (Verlag)
978-981-19-4809-1 (ISBN)
This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world.
Dr. Martine Huvenne retired after a career teaching and researching in the audio-visual field. She was a senior lecturer in Sound and Music for Film at the Kask & Conservatorium (Hogent-Howest), Belgium, where she developed a phenomenological approach to music and listening.
Introduction.- Part I.- “The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.”.- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening.- Phenomenology, an introductionv.- Part II.- A phenomenological approach to audiovisual experience in practice.- Thinking in movement, and different ways to create space in film sound.- The audiovisual chord, an invitation to the audience to interact.- Part III.- Embodied listening, felt sound and the audiovisual chord in film history.- The audiovisual chord in relation to film as an audiovisual composition.- The importance of embodied (panic) listening in film as an audiovisual composition.- A phenomenological approach to film sound and film at the basis of film-making.- Conclusion.
| Erscheinungsdatum | 19.12.2023 |
|---|---|
| Reihe/Serie | Palgrave Studies in Sound |
| Zusatzinfo | 9 Illustrations, black and white; XV, 317 p. 9 illus. |
| Sprache | englisch |
| Maße | 148 x 210 mm |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geisteswissenschaften ► Philosophie ► Philosophie der Neuzeit | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| Sozialwissenschaften ► Soziologie ► Spezielle Soziologien | |
| Schlagworte | audiovisual chord • Audiovisual Perception • auditory space • embodied listening • embodied practice • film sound • phenomenological approach to sound and listening • Sound Studies |
| ISBN-10 | 981-19-4809-7 / 9811948097 |
| ISBN-13 | 978-981-19-4809-1 / 9789811948091 |
| Zustand | Neuware |
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