The Politics of Collecting
Duke University Press (Verlag)
978-1-4780-3048-5 (ISBN)
Eunsong Kim is Associate Professor of English at Northeastern University.
Prelude. On Motivations ix
Acknowledgments xiii
Introduction 1
1. Personal Collection and the Museum Form: Racial Capitalism, Settler Colonialism, and the Legacies of the Homestead Strike of 1892 33
2. Scientific Management and Conceptual Art: The Invention of the Artist Manager 62
3. Whiteness as Property and Found Object Art: Collecting and Canonizing Marcel Duchamp 92
4. Whiteness and the New: Neoliberalism and the Building of the Archive for New Poetry 118
5. Colonially Bound, Digitally Free: On the Distance between Object and Image 146
6. Neoliberal Aesthetics: The Legacies of the White Modernism 178
Coda. On Inoperation and Glory 208
Notes 215
Bibliography 273
Index 295
Erscheinungsdatum | 04.07.2024 |
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Zusatzinfo | 9 illustrations |
Verlagsort | North Carolina |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 476 g |
Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
Geisteswissenschaften ► Geschichte ► Hilfswissenschaften | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-4780-3048-8 / 1478030488 |
ISBN-13 | 978-1-4780-3048-5 / 9781478030485 |
Zustand | Neuware |
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