Museums, Societies and the Creation of Value
Routledge (Verlag)
978-0-367-64457-4 (ISBN)
Including chapters from many of the leading figures in museum anthropology, as well as from outstanding early-career researchers, this volume presents a diverse range of international case studies that bridge the gap between theory and practice. It demonstrates that ethnographic collections and the museums that hold and curate them have played a central role in the value creation processes that have changed attitudes to cultural differences. The essays engage richly with many of the important issues of contemporary museum discourse and practice. They show how collections exist at the ever-changing point of articulation between the source communities and the people and cultures of the museum and challenge presentist critiques of museums that position them as locked into the time that they emerged.
Museums, Societies and the Creation of Value provides examples of the productive outcomes of collaborative work and relationships, showing how they can be mutually beneficial. The book will be of great interest to researchers and students engaged in the study of museums and heritage, anthropology, culture, Indigenous peoples, postcolonialism, history and sociology. It will also be of interest to museum professionals.
Howard Morphy is Emeritus Professor in the Research School of Humanities and the Arts at the Australian National University. Robyn McKenzie is a postdoctoral Research Fellow at the Australian National University working on the Australian Research Council funded project The Relational Museum and its Objects: engaging Indigenous Australian communities with their distributed collections.
List of Figures; List of Contributors; Introduction; Section I Making and Remaking of Collections; Chapter 1 Inalienable patrimony and museums: re-valuing the MacGregor collection; Chapter 2 The emergence of value in the process of the Sámi repatriation: Bååstede; Chapter 3 Colonial collections in British military museums: of objects, materiality and sentiment; Chapter 4 Rephotography as a value creation technology in the nineteenth century: collecting, reproducing and exchanging; Section II Creating Value – Inside and Outside the Museum; Chapter 5 Aboriginal secret-sacred objects, their values and future prospects; Chapter 6 Systems of value in Vanuatu: reflections on the Ambae textile complex; Chapter 7 Displaying, creating and mobilizing value in a museum exhibition: Pacific Currents in Cambridge; Chapter 8 The revaluation of historical collections by source communities: the string figures of Yirrkala; Section III Engagement and Return; Chapter 9 ‘Go throw it in the river’, shifting values and the productive confusions of collaboration with museum collections; Chapter 10 Digital return of an ethnographic museum collection and value creation by an originating community in Baguia, Timor-Leste; Chapter 11 Digital/object/beings and 3D replication in the intercultural museum context: have you socialized your clones?; Section IV Indigenous Agency; Chapter 12 Value creation and museums from an Indigenous perspective; Chapter 13 Yolŋu pathways to value creation in museum and archival collections: the work and journey of Joseph Gumbula; Chapter 14 Creating value through cultural capital: ‘Witira Kanyila – "work as one to make it strong"'; Index.
| Erscheinungsdatum | 28.09.2023 |
|---|---|
| Reihe/Serie | Routledge Research in Museum Studies |
| Zusatzinfo | 33 Halftones, black and white; 33 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 453 g |
| Themenwelt | Kunst / Musik / Theater |
| Geisteswissenschaften ► Geschichte ► Hilfswissenschaften | |
| Sozialwissenschaften ► Ethnologie | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 0-367-64457-6 / 0367644576 |
| ISBN-13 | 978-0-367-64457-4 / 9780367644574 |
| Zustand | Neuware |
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