Between Manuscript and Print
Transcultural Perspectives, ca. 1400–1800
Seiten
2023
De Gruyter (Verlag)
978-3-11-124230-9 (ISBN)
De Gruyter (Verlag)
978-3-11-124230-9 (ISBN)
Die Reihe Materiale Textkulturen ist das Publikationsorgan des gleichnamigen Heidelberger Sonderforschungsbereichs 933, der von der Deutschen Forschungsgemeinschaft gefördert wird. In der Reihe erscheinen Sammelbände und Monographien, die sich den Forschungsschwerpunkten des SFB widmen, also die Materialität und Präsenz des Geschriebenen in non-typographischen Gesellschaften erforschen.
A cross-cultural, comparative view on the transition from a predominant 'culture of handwriting' to a predominant 'culture of print' in the late medieval and early modern periods is provided here, combining research on Christian and Jewish European book culture with findings on East Asian manuscript and print culture. This approach highlights interactions and interdependencies instead of retracing a linear process from the manuscript book to its printed successor.
While each chapter is written as a disciplinary study focused on one specific case from the respective field, the volume as a whole allows for transcultural perspectives. It thereby not only focusses on change, but also on simultaneities of manuscript and printing practices as well as on shifts in the perception of media, writing surfaces, and materials: Which values did writers, printers, and readers attribute to the handwritten and printed materials? For which types of texts was handwriting preferred or perceived as suitable? How and under which circumstances could handwritten and printed texts coexist, even within the same document, and which epistemic dynamics emerged from such textual assemblages?
A cross-cultural, comparative view on the transition from a predominant 'culture of handwriting' to a predominant 'culture of print' in the late medieval and early modern periods is provided here, combining research on Christian and Jewish European book culture with findings on East Asian manuscript and print culture. This approach highlights interactions and interdependencies instead of retracing a linear process from the manuscript book to its printed successor.
While each chapter is written as a disciplinary study focused on one specific case from the respective field, the volume as a whole allows for transcultural perspectives. It thereby not only focusses on change, but also on simultaneities of manuscript and printing practices as well as on shifts in the perception of media, writing surfaces, and materials: Which values did writers, printers, and readers attribute to the handwritten and printed materials? For which types of texts was handwriting preferred or perceived as suitable? How and under which circumstances could handwritten and printed texts coexist, even within the same document, and which epistemic dynamics emerged from such textual assemblages?
Sylvia Brockstieger, University of Heidelberg, Heidelberg, Deutschland; Paul Schweitzer-Martin, LMU Munich, Munich, Deutschland.
| Erscheinungsdatum | 12.07.2023 |
|---|---|
| Reihe/Serie | Materiale Textkulturen ; 40 |
| Co-Autor | Rebecca Hirt, Radu Leca, Samuel Sugerman |
| Zusatzinfo | color graphics |
| Verlagsort | Berlin/Boston |
| Sprache | englisch |
| Maße | 170 x 240 mm |
| Gewicht | 754 g |
| Themenwelt | Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte |
| Sozialwissenschaften ► Pädagogik ► Allgemeines / Lexika | |
| Schlagworte | Buchdruck • change of medium • History of writing • letterpress printing • Materialität • Materiality • Medienwandel • Schriftgeschichte |
| ISBN-10 | 3-11-124230-7 / 3111242307 |
| ISBN-13 | 978-3-11-124230-9 / 9783111242309 |
| Zustand | Neuware |
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