Music and Copyright
Routledge (Verlag)
978-0-415-97253-6 (ISBN)
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Lee Marshall is Lecturer in Sociology at the University of East Anglia (UK). Simon Frith is Professor of Film and Media at the University of Stirling (UK). He has published widely on popular music, including PopularMusic: Politics, Policies and Institutions (Routledge, 1993); Sound and Vision: Music, Video, Television(Routledge, 1993); On Record: Rock, Pop and the WrittenWord (Routledge, 1990); and many other works.
1. Introduction: Making Sense of Copyright (Simon Frith & Lee Marshall) PART 1: CONCEPTUAL APPROACHES 2. The History and Philosophy of Copyright (Martin Kretschmer, Bournemouth) 3. Copyright and Economics (Ruth Towse, Rotterdam, Netherlands) 4. Copyright, Politics and the International Music Industry (Dave Laing, Westminster) PART 2: COPYRIGHT AND EVERYDAY LIFE 5. Copyright Law and Power in the Music Industry (Steve Greenfield & Guy Osborn, Westminster) 6. Copyright and the Composer (Roger Wallis, Stockholm, Sweden) 7. Musicians (Jason Toynbee, Liverpool) 8. Technology, Creative Practice and Copyright (Paul Théberge, Ottawa, Canada) 9. Traditional Music Ownership in a Commodified World (Anthony Seeger, UCLA) 10. Music and the Media (Simon Frith, Stirling) 11. Infringers (Lee Marshall, East Anglia) Afterword: Where Now for Copyright? (Simon Frith & Lee Marshall)
Erscheint lt. Verlag | 3.8.2004 |
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Verlagsort | London |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 340 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Allgemeines / Lexika |
Geisteswissenschaften ► Geschichte | |
Recht / Steuern ► EU / Internationales Recht | |
Recht / Steuern ► Wirtschaftsrecht ► Urheberrecht | |
Sozialwissenschaften ► Kommunikation / Medien | |
Wirtschaft ► Volkswirtschaftslehre | |
ISBN-10 | 0-415-97253-1 / 0415972531 |
ISBN-13 | 978-0-415-97253-6 / 9780415972536 |
Zustand | Neuware |
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