Music and the Making of Portugal and Spain
University of Illinois Press (Verlag)
978-0-252-04532-5 (ISBN)
Contributors: Ricardo Andrade, Vera Marques Alves, Salwa El-Shawan Castelo-Branco, Cristina Sánchez-Carretero, José Hugo Pires Castro, Paulo Ferreira de Castro, Fernán del Val, Héctor Fouce, Diego García-Peinazo, Leonor Losa, Josep Martí, Eva Moreda Rodríguez, Pedro Russo Moreira, Cristina Cruces Roldán, and Igor Contreras Zubillaga
Matthew Machin-Autenrieth is a lecturer in ethnomusicology at the University of Aberdeen. He is author of Flamenco, Regionalism and Musical Heritage in Southern Spain. Salwa el-Shawan Castelo-Branco is a professor emerita at the Nova University of Lisbon, former Director of the Instituto de Etnomusicologia, Centro de Estudos em Música e Dança at the Universidade Nova de Lisboa, Portugal, and former President of the International Council for Traditional Music. She is the co-author of Portugal and Spain: Experiencing Music, Expressing Culture. Samuel Llano is a senior lecturer in Spanish cultural studies at the University of Manchester. He is the author of Whose Spain: Negotiating "Spanish" Music in Paris; and Discordant Notes: Marginality and Social Control in Madrid.
Acknowledgments Introduction: Sounding Nation and Region in Portugal and Spain
Matthew Machin-Autenrieth, Salwa El-Shawan Castelo-Branco, and Samuel Llano
Part I: Music, State Propaganda, and Authoritarian Regimes
Chapter 1: Patriotic, Nationalist, or Republican? The Portuguese National Anthem
Paulo Ferreira de Castro
Chapter 2: The Battle for the Greatest Musical Emblem: The National Anthem and the Symbolic Construction of Francoist Spain
Igor Contreras Zubillaga
Chapter 3: Portuguese Rural Traditions as Cultural Exports: How Modernism and Transnational Connections Shaped the New State’s Folklore Politics
Vera Marques Alves
Part II: Sound Technologies and the Nation
Chapter 4: Recording zarzuela grande in Spain in the Early Days of the Phonograph and Gramophone
Eva Moreda Rodríguez
Chapter 5: The Invisible Voices of the Early Recording Market in Portugal
Leonor Losa
Chapter 6: Radio, Popular Music, and Nationalism in Portugal in the 1940s
Pedro Moreira
Chapter 7: Protest Song and Recording in the Final Stages of the Estado Novo in Portugal (1960-74)
Hugo Castro
Part III: Negotiating the State, Nation, and Region
Chapter 8: Towards a Critical Approach to Flamenco Hybridity in Post-Franco Spain: Rock Music, Nation, and Heritage in Andalusia
Diego García-Peinazo
Chapter 9: Portuguese Rock or Rock in Portuguese?: Controversies Concerning the “Portugueseness” of Rock Music Made in Portugal in the Early-1980s
Ricardo Andrade
Chapter 10: Indie Music as a Controversial Space on Spanish Identity: Class, Youth, and Discontent
Héctor Fouce and Fernán del Val
Chapter 11: Catalonia vs Spain: How Sonorous is Nationalism?
Josep Martí
Part IV: Musical Heritagization and the State
Chapter 12: Intangible Cultural Heritage and State Regimes in Portugal and Spain
Salwa El-Shawan Castelo-Branco and Cristina Sánchez-Carretero
Chapter 13: Sounding the Alentejo: Portugal’s Cante as Heritage
Salwa El-Shawan Castelo-Branco
Chapter 14: Flamenco Heritage and the Politics of Identity
Cristina Cruces Roldán
Contributors
Index
Erscheinungsdatum | 26.10.2023 |
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Co-Autor | Paulo Ferreira de Castro, Igor Contreras Zubillaga |
Zusatzinfo | 8 black & white photographs |
Verlagsort | Baltimore |
Sprache | englisch |
Maße | 156 x 235 mm |
Gewicht | 454 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
ISBN-10 | 0-252-04532-7 / 0252045327 |
ISBN-13 | 978-0-252-04532-5 / 9780252045325 |
Zustand | Neuware |
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