Nicht aus der Schweiz? Besuchen Sie lehmanns.de
Music and the Making of Portugal and Spain -

Music and the Making of Portugal and Spain

Nationalism and Identity Politics in the Iberian Peninsula
Buch | Hardcover
312 Seiten
2023
University of Illinois Press (Verlag)
978-0-252-04532-5 (ISBN)
CHF 188,00 inkl. MwSt
  • Versand in 10-15 Tagen
  • Versandkostenfrei
  • Auch auf Rechnung
  • Artikel merken
How music embodies and contributes to historical and contemporary nationalism What does music in Portugal and Spain reveal about the relationship between national and regional identity building? How do various actors use music to advance nationalism? How have state and international heritage regimes contributed to nationalist and regionalist projects? In this collection, contributors explore these and other essential questions from a range of interdisciplinary vantage points. The essays pay particular attention to the role played by the state in deciding what music represents Portuguese or Spanish identity. Case studies examine many aspects of the issue, including local recording networks, so-called national style in popular music, and music’s role in both political protest and heritage regimes. Topics include the ways the Salazar and Franco regimes adapted music to align with their ideological agendas; the twenty-first-century impact of UNESCO’s Intangible Cultural Heritage program on some of Portugal and Spain's expressive practices; and the tensions that arise between institutions and community in creating and recreating meanings and identity around music.

Contributors: Ricardo Andrade, Vera Marques Alves, Salwa El-Shawan Castelo-Branco, Cristina Sánchez-Carretero, José Hugo Pires Castro, Paulo Ferreira de Castro, Fernán del Val, Héctor Fouce, Diego García-Peinazo, Leonor Losa, Josep Martí, Eva Moreda Rodríguez, Pedro Russo Moreira, Cristina Cruces Roldán, and Igor Contreras Zubillaga

Matthew Machin-Autenrieth is a lecturer in ethnomusicology at the University of Aberdeen. He is author of Flamenco, Regionalism and Musical Heritage in Southern Spain. Salwa el-Shawan Castelo-Branco is a professor emerita at the Nova University of Lisbon, former Director of the Instituto de Etnomusicologia, Centro de Estudos em Música e Dança at the Universidade Nova de Lisboa, Portugal, and former President of the International Council for Traditional Music. She is the co-author of Portugal and Spain: Experiencing Music, Expressing Culture. Samuel Llano is a senior lecturer in Spanish cultural studies at the University of Manchester. He is the author of Whose Spain: Negotiating "Spanish" Music in Paris; and Discordant Notes: Marginality and Social Control in Madrid.

Acknowledgments Introduction: Sounding Nation and Region in Portugal and Spain

Matthew Machin-Autenrieth, Salwa El-Shawan Castelo-Branco, and Samuel Llano

Part I: Music, State Propaganda, and Authoritarian Regimes

Chapter 1: Patriotic, Nationalist, or Republican? The Portuguese National Anthem

Paulo Ferreira de Castro

Chapter 2: The Battle for the Greatest Musical Emblem: The National Anthem and the Symbolic Construction of Francoist Spain

Igor Contreras Zubillaga

Chapter 3: Portuguese Rural Traditions as Cultural Exports: How Modernism and Transnational Connections Shaped the New State’s Folklore Politics

Vera Marques Alves

Part II: Sound Technologies and the Nation

Chapter 4: Recording zarzuela grande in Spain in the Early Days of the Phonograph and Gramophone

Eva Moreda Rodríguez

Chapter 5: The Invisible Voices of the Early Recording Market in Portugal

Leonor Losa

Chapter 6: Radio, Popular Music, and Nationalism in Portugal in the 1940s

Pedro Moreira

Chapter 7: Protest Song and Recording in the Final Stages of the Estado Novo in Portugal (1960-74)

Hugo Castro

Part III: Negotiating the State, Nation, and Region

Chapter 8: Towards a Critical Approach to Flamenco Hybridity in Post-Franco Spain: Rock Music, Nation, and Heritage in Andalusia

Diego García-Peinazo

Chapter 9: Portuguese Rock or Rock in Portuguese?: Controversies Concerning the “Portugueseness” of Rock Music Made in Portugal in the Early-1980s

Ricardo Andrade

Chapter 10: Indie Music as a Controversial Space on Spanish Identity: Class, Youth, and Discontent

Héctor Fouce and Fernán del Val

Chapter 11: Catalonia vs Spain: How Sonorous is Nationalism?

Josep Martí

Part IV: Musical Heritagization and the State

Chapter 12: Intangible Cultural Heritage and State Regimes in Portugal and Spain

Salwa El-Shawan Castelo-Branco and Cristina Sánchez-Carretero

Chapter 13: Sounding the Alentejo: Portugal’s Cante as Heritage

Salwa El-Shawan Castelo-Branco

Chapter 14: Flamenco Heritage and the Politics of Identity

Cristina Cruces Roldán

Contributors

Index

Erscheinungsdatum
Co-Autor Paulo Ferreira de Castro, Igor Contreras Zubillaga
Zusatzinfo 8 black & white photographs
Verlagsort Baltimore
Sprache englisch
Maße 156 x 235 mm
Gewicht 454 g
Themenwelt Kunst / Musik / Theater Musik Musiktheorie / Musiklehre
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
ISBN-10 0-252-04532-7 / 0252045327
ISBN-13 978-0-252-04532-5 / 9780252045325
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
Grundbegriffe, Harmonik, Formen, Instrumente

von Imogen Holst

Buch | Softcover (2021)
Philipp Reclam (Verlag)
CHF 12,90
globalisiertes Komponieren

von Markus Bandur; Rainer Schmusch

Buch | Softcover (2023)
edition text + kritik (Verlag)
CHF 74,90
eine Einführung

von Michele Calella

Buch | Softcover (2023)
Laaber-Verlag
CHF 49,90