Soviet Theatre during the Thaw
Aesthetics, Politics and Performance
Seiten
2024
Methuen Drama (Verlag)
978-1-350-34601-7 (ISBN)
Methuen Drama (Verlag)
978-1-350-34601-7 (ISBN)
The era known as the Thaw (1953-64) was a crucial period in the history of the Soviet Union. It was a time when the legacies of Stalinism began to unravel and when brief moments of liberalisation saw dramatic changes to society. By exploring theatre productions, plays and cultural debates during the Thaw, this book sheds light on a society in flux, in which the cultural norms, values and hierarchies of the previous era were being rethought.
Jesse Gardiner demonstrates that the revival of avant-garde theatre during the Thaw was part of a broader re-engagement with cultural forms that had been banned under Stalin. Plays and productions that had fallen victim to the censor were revived or reinvented, and their authors and directors rehabilitated alongside waves of others who had been repressed during the Stalinist purges. At the same time, new theatre companies and practitioners emerged who reinterpreted the stylized techniques of the avant-garde for a post-war generation. This book argues that the revival of avant-garde theatre was vital in allowing the Soviet public to reimagine its relationship to state power, the West and its own past. It permitted the rethinking of attitudes and prejudices, and led to calls for greater cultural diversity across society. Playwrights, directors and actors began to work in innovative ways, seeking out the theatre of the future by re-engaging with the proscribed forms of the past.
Jesse Gardiner demonstrates that the revival of avant-garde theatre during the Thaw was part of a broader re-engagement with cultural forms that had been banned under Stalin. Plays and productions that had fallen victim to the censor were revived or reinvented, and their authors and directors rehabilitated alongside waves of others who had been repressed during the Stalinist purges. At the same time, new theatre companies and practitioners emerged who reinterpreted the stylized techniques of the avant-garde for a post-war generation. This book argues that the revival of avant-garde theatre was vital in allowing the Soviet public to reimagine its relationship to state power, the West and its own past. It permitted the rethinking of attitudes and prejudices, and led to calls for greater cultural diversity across society. Playwrights, directors and actors began to work in innovative ways, seeking out the theatre of the future by re-engaging with the proscribed forms of the past.
Jesse Gardiner is Lecturer in Russian at the University of St Andrews, UK.
List of Illustrations
Acknowledgements
Introduction
1. Soviet Theatre under Stalin
2. Leningrad in the Shadow of the Other: Akimov at the Lensovet Theatre, 1952-1955
3. Restaging Mayakovsky and Remembering Meyerhold: The Moscow Satire Theatre Productions, 1953-1957
4. Redefining Socialist Realism in the Era of De-Stalinization: Tovstonogov and Okhlopkov Revive the Soviet Classics, 1955-1956
5. New Writers for New Times: Moscow Realism at the Sovremennik Theatre-Studio, 1956-1959
6. The Fairy Tale that Would Not Come True: Staging Evgenii Shvarts, 1960-1963
Epilogue
Notes
Select Bibliography
Index
| Erscheinungsdatum | 21.03.2023 |
|---|---|
| Reihe/Serie | Cultural Histories of Theatre and Performance |
| Mitarbeit |
Herausgeber (Serie): Bruce McConachie, Claire Cochrane |
| Zusatzinfo | 15 bw illus |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-350-34601-2 / 1350346012 |
| ISBN-13 | 978-1-350-34601-7 / 9781350346017 |
| Zustand | Neuware |
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