Adorno, Aesthetics, Dissonance
Bloomsbury Academic USA (Verlag)
978-1-5013-9386-0 (ISBN)
music and his historical and materialist approach. In addition, by studying how Adorno’s aesthetics arose through interactions with different thinkers, particularly Kracauer, Horkheimer, and Schoenberg, it becomes clear that his thought changes in its relation to dialectics. As a result, Adorno’s thinking comes to broaden the understanding of aesthetics to include the sphere of sensuality, and in doing so
transforms both aesthetics and dialectics through a notion of dissonance, which in turn has substantial implications for the relation of his thinking to praxis.
William S. Allen is an independent researcher at the University of Southampton, UK, and the author of Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (2016); Without End: Sade’s Critique of Reason (Bloomsbury, 2018); Blanchot and the Outside of Literature (Bloomsbury, 2019); Noir and Blanchot: Deteriorations of the Event (Bloomsbury, 2020); and, Illegibility: Blanchot and Hegel (Bloomsbury, 2021).
Acknowledgements
Abbreviations
Introduction: Dialectic of Aesthetics
Part One: The Development of Dialectics
1. Kracauer and the Dialectic of Natural-History
2. Dialectics of the Avant-Garde in Music
Part Two: Refractions of Aesthetics
3. Horkheimer, Sade, and Erotic Reason
4. Klossowski, Perversity, Criminality
5. Beside Herself with Desire: Musil
6. Modernity and Utopia
Notes
Index
| Erscheinungsdatum | 22.10.2022 |
|---|---|
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Geisteswissenschaften ► Philosophie |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-5013-9386-3 / 1501393863 |
| ISBN-13 | 978-1-5013-9386-0 / 9781501393860 |
| Zustand | Neuware |
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