Nicht aus der Schweiz? Besuchen Sie lehmanns.de
Nietzsche in Hollywood - Matthew Rukgaber

Nietzsche in Hollywood

Images of the Übermensch in Early American Cinema
Buch | Hardcover
296 Seiten
2022
State University of New York Press (Verlag)
978-1-4384-9027-4 (ISBN)
CHF 135,00 inkl. MwSt
  • Versand in 15-20 Tagen
  • Versandkostenfrei
  • Auch auf Rechnung
  • Artikel merken
Argues that Nietzsche’s idea of the Übermensch was a central concern of filmmakers in the 1920s and 1930s.
Nietzsche in Hollywood offers a compelling and startling history of Hollywood film in which the German philosopher Friedrich Nietzsche and his idea of the Übermensch looms large. Though Nietzsche's philosophy was attacked as egoistic and a sociopathic version of Darwinism in films from the 1910s, it undergoes a series of cinematic and philosophical transformations in the 1920s and 1930s under the eye and pen of some of the most significant names in early Hollywood, including Erich von Stroheim, Josef von Sternberg, Ben Hecht, Howard Hawks, and Ernst Lubitsch. In addition to establishing historical connections between Nietzsche's philosophy and these filmmakers, the book provides philosophical readings of many Hollywood films through the lens of the Nietzschean ideas of "perspectivism" and the critique of morality. Offering a new history of classic Hollywood films as well as a new approach to film philosophy, Nietzsche in Hollywood reveals a reading of the philosopher in American culture that has largely been ignored.

Matthew Rukgaber is Lecturer in Philosophy at Eastern Connecticut State University.

Acknowledgments
Abbreviations of Nietzsche’s Works

Introduction: Approaching Film with Nietzsche

1. The Inhuman in the Human: Social Darwinism and the Übermensch in the Silent Era

2. The Weakness in Strength: The Übermensch as Degenerate in the Films of Erich von Stroheim

3. The Criminal Law: The Übermensch as Gangster and the Will to Power

4. The Salvation of Sin: The Übermensch as Superwoman and the Role of Gender

5 The Truth of Lies: The Übermensch as Genius in the Comedies of Ben Hecht

6. The Freedom in Fate: The Übermensch as Dionysius in the Films of Josef von Sternberg

7. The Revealing Mask: The Übermensch as Free Spirit in the Comedies of Ernst Lubitsch

Conclusion: A Nietzschean Philosophy of Film

Notes
Bibliography
Index

Erscheinungsdatum
Reihe/Serie SUNY series, Horizons of Cinema
Zusatzinfo Total Illustrations: 0
Verlagsort Albany, NY
Sprache englisch
Maße 152 x 229 mm
Gewicht 227 g
Themenwelt Kunst / Musik / Theater Film / TV
Geisteswissenschaften Philosophie
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 1-4384-9027-5 / 1438490275
ISBN-13 978-1-4384-9027-4 / 9781438490274
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
wie KI und virtuelle Welten von uns Besitz ergreifen – und die …

von Joachim Bauer

Buch | Hardcover (2023)
Heyne (Verlag)
CHF 29,90
Konzept und Produktion

von Hannes Rall

Buch | Softcover (2023)
Herbert von Halem Verlag
CHF 52,90