Dancing Indigenous Worlds
University of Minnesota Press (Verlag)
978-1-5179-1267-3 (ISBN)
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In Dancing Indigenous Worlds, Jacqueline Shea Murphy brings contemporary Indigenous dance makers into the spotlight, putting critical dance studies and Indigenous studies in conversation with one another in fresh and exciting new ways. Exploring Indigenous dance from North America and Aotearoa (New Zealand), she shows how dance artists communicate Indigenous ways of being, as well as generate a political force, engaging Indigenous understandings and histories.
Following specific dance works over time, Shea Murphy interweaves analysis, personal narrative, and written contributions from multiple dance artists, demonstrating dance’s crucial work in asserting and enacting Indigenous worldviews and the embodied experiences of Indigenous peoples. As Shea Murphy asserts, these dance-making practices can not only disrupt the structures that European colonization feeds upon and strives to maintain, but they can also recalibrate contemporary dance.
Based on more than twenty years of relationship building and research, Shea Murphy’s work contributes to growing, and largely underreported, discourses on decolonizing dance studies, and the geopolitical, gendered, racial, and relational meanings that dance theorizes and negotiates. She also includes discussions about the ethics of writing about Indigenous knowledge and peoples as a non-Indigenous scholar, and models approaches for doing so within structures of ongoing reciprocal, respectful, responsible action.
Jacqueline Shea Murphy is associate professor of dance at the University of California–Riverside. She is the author of The People Have Never Stopped Dancing: Native American Modern Dance Histories (Minnesota, 2007) and founder of the ICR (Indigenous Choreographers at Riverside) Gathering project.
Contents
Preface
Introduction
Choreographing Relationality
Modern Dance and Modernity/Coloniality
Recalibrations of Relational Exchange
Intersections of Dance and Indigenous Studies
1. Choreographies of Relational Reciprocity
Hosts and Visitors, Aotearoa, 2009
Manaakitanga in Motion: Choreographies of Possibility
With Jack Gray
Hashtag Mitimiti: Where You At?
With Andrew Kendall, Diane Kendall, Tia Reihana-Morunga, Deborah Cocker, and Toni Temehana Pasion
2. Choreographies of Perspectival Relationality
Dance Workshop, Riverside, California, 2006
With Rulan Tangen
Expansive Relationality/Of Bodies of Elements
Identities and Accountabilities, 2019
With Rulan Tangen
Interlude/Pause/Provocation
Refuge Rock: Otonabee River, Ontario, 2010
With Tanya Lukin Linklater
3. Choreographies of Relational Abun-dance
Precarity
Abundance and Abun-dance
Emily Johnson/Catalyst
4. Choreographies of Relational Refusings
Yirramboi, Melbourne, Australia, 2017
Facing Refusal
Teachings in Listening
Indigenous Dance Works/Indigenous Dance Making/Indigenous Writing
With Rosy Simas, Mishuana Goeman, Tanya Lukin Linklater, and Daystar/Rosalie Jones
Conclusion: Closing and Opening
Acknowledgments
Notes
Bibliography
Index
| Erscheinungsdatum | 18.01.2023 |
|---|---|
| Zusatzinfo | 44 black and white illustrations |
| Verlagsort | Minnesota |
| Sprache | englisch |
| Maße | 178 x 229 mm |
| Gewicht | 907 g |
| Themenwelt | Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| Sozialwissenschaften ► Ethnologie | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 1-5179-1267-9 / 1517912679 |
| ISBN-13 | 978-1-5179-1267-3 / 9781517912673 |
| Zustand | Neuware |
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