Art, Power, and Patronage in the Principality of Epirus, 1204–1318
Routledge (Verlag)
978-1-032-25417-3 (ISBN)
Leonela Fundić’s research focuses on Late Antique and Byzantine archaeology, art, history, and theology. She holds a doctorate in Byzantine art and history from the University of Thessaloniki, Greece. Since 2013, she has been working as a researcher and lecturer at the School of Theology and Philosophy of the Australian Catholic University. During the academic year 2017–2018, Fundić was a postdoctoral fellow at the Department of Ancient History of Macquarie University, working on the Australian Research Council Discovery Project Memories of Utopia: Destroying the Past to Create the Future.
Introduction / Chapter 1. Artistic Production and Patronage in Epirus during the Thirteenth and the Beginning of the Fourteenth Centuries / Chapter 2. Art, the Memory of Constantinople, and the Formation of the Epirote Political Identity After 1204 / Chapter 3. Catastrophe and the Revival of Epirus: Art and Political Ideology after the Battle at Klokotnitsa in 1230 / Chapter 4. Epirus between the Palaiologoi and the Angevins during the Reign of Nikephoros Komnenos Doukas (1267/8–1297) / Chapter 5. Art and Patronage in the Principality of Epirus after 1296 / Conclusion / Catalogue of Iconographic Programmes in Epirote Churches
Erscheinungsdatum | 03.05.2022 |
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Reihe/Serie | Routledge Research in Byzantine Studies |
Zusatzinfo | 110 Halftones, black and white; 110 Illustrations, black and white |
Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 453 g |
Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
Geschichte ► Allgemeine Geschichte ► Mittelalter | |
ISBN-10 | 1-032-25417-3 / 1032254173 |
ISBN-13 | 978-1-032-25417-3 / 9781032254173 |
Zustand | Neuware |
Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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