Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era
An "Integrated Effort"
Seiten
2022
Lexington Books (Verlag)
978-1-7936-1385-1 (ISBN)
Lexington Books (Verlag)
978-1-7936-1385-1 (ISBN)
This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era.
The rock and roll music that dominated airwaves across the country during the 1950s and early 1960s is often described as a triumph for integration. Black and white musicians alike, including Chuck Berry, Little Richard, Elvis Presley, and Jerry Lee Lewis, scored hit records with young audiences from different racial groups, blending sonic traditions from R&B, country, and pop. This so-called "desegregation of the charts" seemed particularly resonant since major civil rights groups were waging major battles for desegregation in public places at the same time. And yet the centering of integration, as well as the supposition that democratic rights largely based in consumerism should be available to everyone regardless of race, has resulted in very distinct responses to both music and movement among Black and white listeners who grew up during this period. This book traces these distinctions using archival research, musical performances, and original oral histories to determine the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era.
The rock and roll music that dominated airwaves across the country during the 1950s and early 1960s is often described as a triumph for integration. Black and white musicians alike, including Chuck Berry, Little Richard, Elvis Presley, and Jerry Lee Lewis, scored hit records with young audiences from different racial groups, blending sonic traditions from R&B, country, and pop. This so-called "desegregation of the charts" seemed particularly resonant since major civil rights groups were waging major battles for desegregation in public places at the same time. And yet the centering of integration, as well as the supposition that democratic rights largely based in consumerism should be available to everyone regardless of race, has resulted in very distinct responses to both music and movement among Black and white listeners who grew up during this period. This book traces these distinctions using archival research, musical performances, and original oral histories to determine the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era.
Beth Fowler is associate professor of teaching in the Irvin D. Reid Honors College at Wayne State University.
Acknowledgments
Introduction: “A Subtle Defiance in the Songs”
Chapter 1: “Shufflin’ ‘Til the Break of Dawn,” 1946-1953
Chapter 2: “If It’s a Hit, It’s a Hit,” 1954-1956
Chapter 3: “A Teen Ager in Love,” 1957-1960
Chapter Four: “They’d All Be Dancing Together,” 1961-1964
Chapter Five, “A Drummer With a Totally Different Beat,” The Post-Civil Rights Era
Bibliography
About the Author
| Erscheinungsdatum | 21.04.2022 |
|---|---|
| Verlagsort | Lanham, MD |
| Sprache | englisch |
| Maße | 161 x 229 mm |
| Gewicht | 735 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| Kunst / Musik / Theater ► Musik ► Pop / Rock | |
| Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918) | |
| ISBN-10 | 1-7936-1385-0 / 1793613850 |
| ISBN-13 | 978-1-7936-1385-1 / 9781793613851 |
| Zustand | Neuware |
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