Race, War, and the Cinematic Myth of America
Dust That Never Settles
Seiten
2022
Lexington Books (Verlag)
978-1-7936-4750-4 (ISBN)
Lexington Books (Verlag)
978-1-7936-4750-4 (ISBN)
This book examines how Hollywood has promoted the myth of the American White male savior and the way in which this myth has negatively affected people of color throughout U.S. history.
In [this book], Eric Trenkamp addresses a question that many American cinema fans may have asked themselves over the past 20 years – “why is everything superheroes now?” Although it might be easy to dismiss Hollywood’s last two decades of comic book movies as nothing more than overly simplified morality tales, the reality is much more complex. The pervasiveness of the comic book genre throughout American culture, Trenkamp argues, perpetuates a subtextual myth about what it means to be an “American” in the contemporary world. At the core of this myth is the image of who Hollywood considers to be the ideal American hero – the White male savior. This book explores the evolution of this ever-changing image of White superiority in American cinema, which can be traced from the earliest silent Westerns, through decades of war films, and up to the modern day comic book genre. Through provocative and engaging analysis of a wide variety of Hollywood films, Trenkamp demonstrates the industry’s history of popularizing White supremacy and the ways in which these films can act as propaganda to support various dehumanizing U.S. policies, both abroad and at home. Scholars of film studies, comic studies, genre studies, American studies, race studies, pop culture, and history will find this book particularly useful.
In [this book], Eric Trenkamp addresses a question that many American cinema fans may have asked themselves over the past 20 years – “why is everything superheroes now?” Although it might be easy to dismiss Hollywood’s last two decades of comic book movies as nothing more than overly simplified morality tales, the reality is much more complex. The pervasiveness of the comic book genre throughout American culture, Trenkamp argues, perpetuates a subtextual myth about what it means to be an “American” in the contemporary world. At the core of this myth is the image of who Hollywood considers to be the ideal American hero – the White male savior. This book explores the evolution of this ever-changing image of White superiority in American cinema, which can be traced from the earliest silent Westerns, through decades of war films, and up to the modern day comic book genre. Through provocative and engaging analysis of a wide variety of Hollywood films, Trenkamp demonstrates the industry’s history of popularizing White supremacy and the ways in which these films can act as propaganda to support various dehumanizing U.S. policies, both abroad and at home. Scholars of film studies, comic studies, genre studies, American studies, race studies, pop culture, and history will find this book particularly useful.
Eric Trenkamp is assistant chair for the Film/Video Department at the Pratt Institute.
Acknowledgments
Author’s Note
Chapter 1: From Spurs To Capes
Chapter 2: A Myth Of America
Chapter 3: The Myth Made Flesh - John Wayne
Chapter 4: The Segregationist Blockbusters
Chapter 5: The New Western Frontier
Chapter 6: Birth of a Genre
Chapter 7: The Post-September 11th Comic Book Movie
Chapter 8: Theories of Conspiracy
Chapter 9: World War without End
Bibliography
Appendix
List of Illustrations
About the Author
| Erscheinungsdatum | 07.02.2022 |
|---|---|
| Verlagsort | Lanham, MD |
| Sprache | englisch |
| Maße | 161 x 239 mm |
| Gewicht | 476 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| ISBN-10 | 1-7936-4750-X / 179364750X |
| ISBN-13 | 978-1-7936-4750-4 / 9781793647504 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Erinnerungen
Buch | Softcover (2024)
Pantheon (Verlag)
CHF 22,40
