Music by Subscription

Composers and their Networks in the British Music-Publishing Trade, 1676–1820

Simon D.I. Fleming, Martin Perkins (Herausgeber)

Buch | Softcover

254 Seiten

2024
Routledge (Verlag)
978-0-367-75683-3 (ISBN)

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This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music’s social spheres, the emergence of music publishing, and the potential of digital musicology research.

Simon D.I. Fleming holds a PhD in music from Durham University, and formerly taught in the Department of Music. He is currently Head of Music at the Queen Elizabeth Sixth Form College, Darlington, UK. Martin Perkins holds a PhD from the Royal Birmingham Conservatoire, Birmingham City Unveristy, where he lectures in music history, theory, and performance.

Chapter 1. Introduction. Simon D. I. Fleming and Matin Perkins

Section 1. The Production of Musical Works by Subscription

Chapter 2. Thomas Mace and the Publication by Subscription of Musick’s Monument (1676). Stephanie Carter

Chapter 3. Cecilia Maria Barthélemon’s Three Sonatas, op 1. Michael Kassler

Chapter 4. Maria Hester Park and her Subscribers. Lise Karin Meling

Chapter 5. Publishing Music by Subscription in Eighteenth-Century Edinburgh: John Watlen and his Collections of Circus Tunes. Simon D. I. Fleming

Chapter 6. William Felton and John Pixell: The Musical Circles of the Vicar Composer. Simon D. I. Fleming

Section 2. The Consumption of Music Published by Subscription

Chapter 7. Gentry, Servants, and Musicians: A Network of Subscribers in North-East England. Roz Southey

Chapter 8. The Music-Making of the Bridgeman Family, Weston Park. Martin Perkins

Chapter 9. A Big Data Study: Musical Societies in Subscription Lists. Simon D. I. Fleming and Martin Perkins

Chapter 10. Strathspeys, Reels, and Instrumental Airs: A National Product. Karen E. McAulay

Chapter 11. Profiting from the Slave Economy and Subscribing to Music: The British Experience in the Eighteenth Century. David Hunter

Chapter 12. Foreign Composers, the Subscription Market, and the Popularity of Continental Music in Eighteenth-Century Britain. Simon D. I. Fleming

Erscheinungsdatum	04.01.2022
Reihe/Serie	Routledge Research in Music
Zusatzinfo	21 Tables, black and white; 3 Line drawings, black and white; 10 Halftones, black and white; 13 Illustrations, black and white
Verlagsort	London
Sprache	englisch
Maße	156 x 234 mm
Gewicht	453 g
Themenwelt	Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical
	Kunst / Musik / Theater ► Musik ► Pop / Rock
	Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918)
ISBN-10	0-367-75683-8 / 0367756838
ISBN-13	978-0-367-75683-3 / 9780367756833
Zustand	Neuware