Visual Culture, Heritage and Identity: Using Rock Art to Reconnect Past and Present
Archaeopress (Verlag)
978-1-78969-846-6 (ISBN)
Visual Culture, Heritage and Identity: Using Rock Art to Reconnect Past and Present sets out a fresh perspective on rock art by considering how ancient images function in the present. In recent decades, archaeological approaches to rock paintings and engravings have significantly advanced our understanding of rock art in regional and global terms. On the other hand, however, little research has been done on contemporary uses of rock art. How does ancient rock art heritage influence contemporary cultural phenomena? And how do past images function in the present, especially in contemporary art and other media? In the past, archaeologists usually concentrated more on reconstructing the semantic and social contexts of the ancient images. This volume, on the other hand, focuses on how this ancient heritage is recognised and reified in the modern world, and how this art stimulates contemporary processes of cultural identity-making. The authors, who are based all over the world, off er attractive and compelling case studies situated in diverse cultural and geographical contexts.
Andrzej Rozwadowski is Associate Professor at the Adam Mickiewicz University in Poznań, Poland, where he also completed his PhD. He is also an honorary Research Fellow of the Rock Art Research Institute of Wits in Johannesburg and has been involved in rock art research since the 1990s. ; Jamie Hampson is a Senior Lecturer in the Humanities Department at the University of Exeter. He has a PhD and MPhil in archaeology from the University of Cambridge. He has written more than forty articles on Indigenous rock art and heritage.
A Brief Note about the Editors ;
Using Rock Art to Reconnect Past and Present: An Introduction – Andrzej Rozwadowski and Jamie Hampson ;
Indigenous Art in New Contexts: Inspiration or Appropriation? – Jamie Hampson and Rory Weaver ;
The Cave of Altamira and Modern Artistic Creation – Pilar Fatás Monforte ;
Joane Cardinal–Schubert: Ancient Contemporary – Alisdair MacRae ;
Face to Face with Ancestors: Indigenous Codes in the Contemporary Art of Siberia – Andrzej Rozwadowski and Magdalena Boniec ;
Contemporary Views on Rock Art from Within the Frame: Indigenous Cultural Continuity and Artistic Engagement with Rock Art – Marisa Giorgi and Dale Harding ;
PalimpsGestures: Rock Art and the Recreation of Body Expression – Lina do Carmo ;
In the Name of the Ancestors: Repainted Identities and Land Memories – Laura Teresa Tenti ;
Muraycoko Wuyta’a Be Surabudodot / Ibararakat: Rock Art and Territorialization in Contemporary Indigenous Amazonia – the Case of the Munduruku People from the Tapajos River – Jairo Saw Munduruku, Eliano Kirixi Munduruku and Raoni Valle ;
Appropriation, Re-Appropriation, Reclamation: The Re-Use of New Zealand’s Most Renowned Māori Rock Art – Gerard O’Regan [Open Access: Download];
Reproduction, Simulation and the Hyperreal: A Case Study of ‘Lascaux III’ 2015–2017 – Robert J. Wallis
| Erscheinungsdatum | 05.07.2021 |
|---|---|
| Zusatzinfo | 90 illustrations (colour throughout) |
| Verlagsort | Oxford |
| Sprache | englisch |
| Maße | 205 x 290 mm |
| Gewicht | 559 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geisteswissenschaften ► Archäologie | |
| Geschichte ► Allgemeine Geschichte ► Vor- und Frühgeschichte | |
| Geisteswissenschaften ► Geschichte ► Hilfswissenschaften | |
| ISBN-10 | 1-78969-846-4 / 1789698464 |
| ISBN-13 | 978-1-78969-846-6 / 9781789698466 |
| Zustand | Neuware |
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