Explorations in Cinema through Classical Indian Theories
New Interpretations of Meaning, Aesthetics, and Art
Seiten
2021
|
1st ed. 2020
Springer International Publishing (Verlag)
978-3-030-45613-9 (ISBN)
Springer International Publishing (Verlag)
978-3-030-45613-9 (ISBN)
This book explores cinema and film theory through classical Indian theories. While non-Western philosophies have largely been ignored by existing paradigms, Gopalan Mullik responds through an interrogation of how audio-visual images are processed by the audiences at the basic level of their being outside of Western experience. In the process, this book moves away from the heavily Eurocentric film discourse of today while also detailing how this new platform for understanding cinema at the most basic level of its meaning can build upon existing film theories rather than act as a replacement for them.
Dr. Gopalan Mullik is a Visiting Lecturer at St. Xavier's University, Kolkata, India.
1. Introduction.- 2. Film Theories and Cinema: Limitations of Disembodied Vision in Existing Film Discourse.- 3. Vedic Cosmology and the Notion of Correlative Opposites: A Classical Indian Paradigm of Thought and Its Influence on Artworks.- 4. Nyaya Theory of Perception or Pratyaksa: An Embodied Theory of "Meaning" and Its Relation to Cinema.- 5. Bharata's Theory of Rasa or Aesthetic Pleasure: Classical Indian Theories of "Aesthetics" and Their Relation to Cinema.- 6. Anandavardhana's Theory of Suggestion or Dhvani: Classical Indian Theories of "Art" and Their Relation to Cinema.- 7. Conclusion
Erscheinungsdatum | 30.06.2021 |
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Zusatzinfo | XV, 351 p. 41 illus., 12 illus. in color. |
Verlagsort | Cham |
Sprache | englisch |
Maße | 148 x 210 mm |
Gewicht | 477 g |
Themenwelt | Geisteswissenschaften ► Philosophie ► Geschichte der Philosophie |
Geisteswissenschaften ► Philosophie ► Philosophie der Neuzeit | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
Schlagworte | Ala karasastra or Theory of Embellishment • Alaṁkāraśāstra or Theory of Embellishment • Bharata's Theory of Aesthetic Pleasure • Bharata’s Theory of Aesthetic Pleasure • Dhvani Theory or Theory of Suggestion • Embodied Theory of Cinema • Indian Aesthetic Theory • Nyaya Theory of Perception • Nyāya Theory of Perception • Rasa Theory |
ISBN-10 | 3-030-45613-7 / 3030456137 |
ISBN-13 | 978-3-030-45613-9 / 9783030456139 |
Zustand | Neuware |
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