Between the Pagan Past and Christian Present in Byzantine Visual Culture
Statues in Constantinople, 4th-13th Centuries CE
Seiten
2022
Cambridge University Press (Verlag)
978-1-108-83358-5 (ISBN)
Cambridge University Press (Verlag)
978-1-108-83358-5 (ISBN)
This book is about the importance of pre-Christian, pagan statues in Byzantine art which has so far focused heavily on the sacred icons of Christ and the saints. It will interest those seeking an accessible and interesting study on topics such as art, history, religion, literature and ideas related to the Roman Empire.
Up to its pillage by the Crusaders in 1204, Constantinople teemed with magnificent statues of emperors, pagan gods, and mythical beasts. Yet the significance of this wealth of public sculpture has hardly been acknowledged beyond late antiquity. In this book, Paroma Chatterjee offers a new perspective on the topic, arguing that pagan statues were an integral part of Byzantine visual culture. Examining the evidence in patriographies, chronicles, novels, and epigrams, she demonstrates that the statues were admired for three specific qualities - longevity, mimesis, and prophecy; attributes that rendered them outside of imperial control and endowed them with an enduring charisma sometimes rivaling that of holy icons. Chatterjee's interpretations refine our conceptions of imperial imagery, the Hippodrome, the Macedonian Renaissance, a corpus of secular objects, and Orthodox icons. Her book offers novel insights into Iconoclasm and proposes a more truncated trajectory of the holy icon in medieval Orthodoxy than has been previously acknowledged.
Up to its pillage by the Crusaders in 1204, Constantinople teemed with magnificent statues of emperors, pagan gods, and mythical beasts. Yet the significance of this wealth of public sculpture has hardly been acknowledged beyond late antiquity. In this book, Paroma Chatterjee offers a new perspective on the topic, arguing that pagan statues were an integral part of Byzantine visual culture. Examining the evidence in patriographies, chronicles, novels, and epigrams, she demonstrates that the statues were admired for three specific qualities - longevity, mimesis, and prophecy; attributes that rendered them outside of imperial control and endowed them with an enduring charisma sometimes rivaling that of holy icons. Chatterjee's interpretations refine our conceptions of imperial imagery, the Hippodrome, the Macedonian Renaissance, a corpus of secular objects, and Orthodox icons. Her book offers novel insights into Iconoclasm and proposes a more truncated trajectory of the holy icon in medieval Orthodoxy than has been previously acknowledged.
Paroma Chatterjee is associate professor of art history at the University of Michigan. She is the author of Living Icons: The 'Vita' Image in Byzantium and Italy, 11th-13th Centuries (Cambridge University Press, 2014).
1. The Byzantine Statue: Problems and Questions; 2. Prophecy; 3. History; 4. Mimesis; 5. Epigrams and Statues; Epilogue. The End: Manuel Chrysoloras and the Sense of the Past; Index.
| Erscheinungsdatum | 01.12.2021 |
|---|---|
| Zusatzinfo | Worked examples or Exercises |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 185 x 262 mm |
| Gewicht | 990 g |
| Themenwelt | Geschichte ► Allgemeine Geschichte ► Mittelalter |
| Geschichte ► Teilgebiete der Geschichte ► Religionsgeschichte | |
| Geisteswissenschaften ► Religion / Theologie | |
| ISBN-10 | 1-108-83358-6 / 1108833586 |
| ISBN-13 | 978-1-108-83358-5 / 9781108833585 |
| Zustand | Neuware |
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