Media Critique in the Age of Gillray
Scratches, Scraps, and Spectres
Seiten
2022
University of Toronto Press (Verlag)
978-1-4875-2774-7 (ISBN)
University of Toronto Press (Verlag)
978-1-4875-2774-7 (ISBN)
Media Critique in the Age of Gillray reflects on print and paper culture of the late eighteenth and early nineteenth centuries, crafting a new approach to British visual culture.
In the late 1790s, British Prime Minister William Pitt created a crisis of representation when he pressured the British Parliament to relieve the Bank of England from its obligations to convert paper notes into coin. Paper quickly became associated with a form of limitless reproduction that threatened to dematerialize solid bodies and replace them with insubstantial shadows.
Media Critique in the Age of Gillray centres on printed images and graphic satires which view paper as the foundation for the contemporary world. Through a focus on printed, visual imagery from practitioners such as James Gillray, William Blake, John Thomas Smith, and Henry Fuseli, the book addresses challenges posed by reproductive technologies to traditional concepts of subjective agency.
Joseph Monteyne shows that the late eighteenth-century paper age’s baseless fabric set the stage for contemporary digital media’s weightless production. Engagingly written and abundantly illustrated, Media Critique in the Age of Gillray highlights the fact that graphic culture has been overlooked as an important sphere for the production of critical and self-reflective discourses around media transformations and the visual turn in British culture.
In the late 1790s, British Prime Minister William Pitt created a crisis of representation when he pressured the British Parliament to relieve the Bank of England from its obligations to convert paper notes into coin. Paper quickly became associated with a form of limitless reproduction that threatened to dematerialize solid bodies and replace them with insubstantial shadows.
Media Critique in the Age of Gillray centres on printed images and graphic satires which view paper as the foundation for the contemporary world. Through a focus on printed, visual imagery from practitioners such as James Gillray, William Blake, John Thomas Smith, and Henry Fuseli, the book addresses challenges posed by reproductive technologies to traditional concepts of subjective agency.
Joseph Monteyne shows that the late eighteenth-century paper age’s baseless fabric set the stage for contemporary digital media’s weightless production. Engagingly written and abundantly illustrated, Media Critique in the Age of Gillray highlights the fact that graphic culture has been overlooked as an important sphere for the production of critical and self-reflective discourses around media transformations and the visual turn in British culture.
Joseph Monteyne is an associate professor in the Department of Art History, Visual Art, and Theory at the University of British Columbia.
Introduction: Making and Unmaking the Paper World
1. Dark Media and the Materiality of Nothing
Dark Media and Graphic Materiality
Smoked Images and Night Pieces: Touching Nothing
Form and Formlessness in Blake’s Embedded Media
2. Haunted Media
Conjuring Dead Painters
The Baseless Fabric of Print
Dematerializing Media
3. Good Copies, Bad Copies
Counterfeit Masks
Repetition with Difference
Pairs of Portraits
4. Social Detritus, Paper Detritus
Blind Beggars and Printed Images
Cobbling, Patching, Translating
The Gatherer of Scraps
Erscheinungsdatum | 14.02.2022 |
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Zusatzinfo | 28 colour illustrations, 38 b&w illustrations |
Verlagsort | Toronto |
Sprache | englisch |
Maße | 159 x 235 mm |
Gewicht | 640 g |
Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-4875-2774-8 / 1487527748 |
ISBN-13 | 978-1-4875-2774-7 / 9781487527747 |
Zustand | Neuware |
Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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